Elmer Bernstein's ' "End Credits (Extended Version) [Bonus Track]" was released on its scheduled release date, November 12, 2021. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. End Credits (Extended Version) [Bonus Track]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Stripes (Original Motion Picture Soundtrack)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United States. In terms of popularity, End Credits (Extended Version) [Bonus Track] is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With End Credits (Extended Version) [Bonus Track] by Elmer Bernstein having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daphne's Office | Original Soundtrack | C Major | 7 | 8B | 173 BPM | ||
| Forbidden Love | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Major | 1 | 10B | 77 BPM | ||
| Suite For Orchestra And Chorus In G Minor II. Fate - Adagio | Klaus Badelt | G Minor | 0 | 6A | 84 BPM | ||
| Mr. And Mrs. Tideman & End Titles | John Scott | F Major | 3 | 7B | 81 BPM | ||
| Silverado | Hollywood Symphony Orchestra | A Major | 6 | 11B | 121 BPM | ||
| The Magnificent Seven - Suite | Elmer Bernstein | F Major | 5 | 7B | 108 BPM | ||
| Star Trek: The Next Generation End Credit | Jerry Goldsmith, Ron Jones | B♭ Major | 3 | 6B | 113 BPM | ||
| Exodus - Theme | Ernest Gold | E Minor | 2 | 9A | 85 BPM | ||
| Main Title: Morgan's Ride | John Debney | A Minor | 6 | 8A | 183 BPM | ||
| Casino Royale Theme | Herb Alpert | D Major | 5 | 10B | 137 BPM | ||
| Kelly's Heroes (Theme) | Czech Philharmonic Chamber Orchestra | A Minor | 7 | 8A | 120 BPM | ||
| The Whaler | Leonard Rosenman | C Major | 4 | 8B | 120 BPM | ||
| Force Ten from Navarone: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Recortes | Armonias | A Major | 5 | 11B | 119 BPM | ||
| Prelude | Carlo Savina, The Rome Symphony Orchestra | E♭ Major | 2 | 5B | 130 BPM | ||
| Bereavement And Fulfillment | Alfred Newman, MGM Studio Orchestra | E Major | 1 | 12B | 83 BPM | ||
| Homeward Bound | Jack Trombey | F Major | 7 | 7B | 111 BPM | ||
| Falcon Crest | Mark Ayres | A Minor | 5 | 8A | 112 BPM | ||
| The Great Escape Theme (Movie Score) | Mount Royal Orchestra | B♭ Major | 4 | 6B | 113 BPM | ||
| The Godfather Waltz (Main Title) | Nino Rota, Carlo Savina | C Minor | 1 | 5A | 62 BPM | ||
| Pasadizos | Armonias | F♯ Minor | 6 | 11A | 127 BPM | ||
| Die glorreichen Sieben - Suite | Elmer Bernstein | B♭ Major | 3 | 6B | 105 BPM | ||
| Theme From "The Nice Guys" | John Ottman, David Buckley | B Minor | 6 | 10A | 120 BPM | ||
| Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM |