Tim Wynn's ' "Break the Line" was released on its scheduled release date, February 5, 2016. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of XCOM 2 (Original Soundtrack from the Video Game) by Tim Wynn. The song's track number on the album is #17 out of 29 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. In terms of popularity, Break the Line is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Break the Line by Tim Wynn has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Break the Line being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fear Within | Nick Arundel | D♭ Major | 5 | 3B | 119 BPM | ||
| Unification Day | Tim Wynn | C Minor | 1 | 5A | 94 BPM | ||
| Get Us Out Of Here | Johan Söderqvist, Patrik Andrén | D♭ Major | 8 | 3B | 138 BPM | ||
| Tensions Rising | Michael McCann | F♯ Minor | 5 | 11A | 120 BPM | ||
| The Scourge | Steve Molitz | B♭ Major | 5 | 6B | 136 BPM | ||
| Echoes of Bells Beneath a Crimson Moon (The Ravager) | Rob Westwood | B Minor | 2 | 10A | 125 BPM | ||
| Surface Tension 3 | Joel Nielsen | E Major | 7 | 12B | 103 BPM | ||
| Mission Accomplished (Advent Burger Mix) | Adam Schneider | E Minor | 9 | 9A | 120 BPM | ||
| The Imperium | Dmitry V. Silantyev | A Minor | 5 | 8A | 91 BPM | ||
| Sunkiller | Keith Power, Digital Extremes Ltd., Evan Duffy | A Major | 9 | 11B | 156 BPM | ||
| Corpus Greed | Keith Power | B♭ Minor | 4 | 3A | 190 BPM | ||
| Battle For Supremacy (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | A Minor | 6 | 8A | 120 BPM | ||
| Barrett Boss Fight | Michael McCann | B♭ Minor | 9 | 3A | 130 BPM | ||
| Retaliation | Adam Schneider | F♯ Major | 9 | 2B | 113 BPM | ||
| Vaygr Battle Theme | Paul Ruskay | D Major | 5 | 10B | 100 BPM | ||
| Code of Conduct | Hans Zimmer | D Major | 7 | 10B | 96 BPM | ||
| Advanced Soldier Overture | Harry Gregson-Williams | D Major | 7 | 10B | 99 BPM | ||
| First to Fall | Stephen Barton | D♭ Major | 9 | 3B | 150 BPM | ||
| Voidsong | Steve Molitz | C Minor | 4 | 5A | 77 BPM | ||
| Hero's Battle | Jeff van Dyck | B Major | 8 | 1B | 94 BPM | ||
| Take 'Em Out, Tanya! | Tim Wynn | A♭ Major | 6 | 4B | 115 BPM | ||
| From the Wreckage | Sam Hulick, EA Games Soundtrack | A Minor | 2 | 8A | 170 BPM | ||
| Unleash the Drakar | Danny Bensi and Saunder Jurriaans | G Major | 7 | 9B | 80 BPM | ||
| After the Crash | Michael McCann | A Major | 7 | 11B | 120 BPM | ||
| Metroplex - Gigamind | Michael McCann | D Major | 9 | 10B | 130 BPM |