Timothy Roberts's 'Voluntary On Old Hundredth' had a release date set for January 1, 2008. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Timothy Roberts's "John Blow and his Pupils" album is number 1 out of 21. In terms of popularity, Voluntary On Old Hundredth is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voluntary On Old Hundredth by Timothy Roberts to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavan and galliard, "Lord Strafford": Paven and Galliard: Earl Strafford | Thomas Tomkins, Timothy Roberts, The Rose Consort Of Viols | A Minor | 1 | 8A | 67 BPM | ||
| Concerto: Nigra sum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | G Major | 1 | 9B | 132 BPM | ||
| Tocata No. 2 de mano izquierda, de quinto tono | Juan Cabanilles, Timothy Roberts | G Minor | 1 | 6A | 71 BPM | ||
| Fly to My Aid, O Mighty Love | Thomas Linley I, Invocation | F♯ Major | 0 | 2B | 79 BPM | ||
| Puer natus in Bethlehem, BWV 603 | Johann Sebastian Bach, Wolfgang Rübsam | G Minor | 1 | 6A | 135 BPM | ||
| Down in the Gleamy Vale | William Linley, Invocation, Timothy Roberts | G Major | 0 | 9B | 68 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Ricercar a 4 del primo tuono | Andrea Gabrieli, His Majestys Sagbutts & Cornetts, Timothy Roberts | D Minor | 1 | 7A | 78 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Pensaci ben mio core | Barbara Strozzi, Catherine Bott, Frances Kelly, Paula Chateauneuf, Timothy Roberts | A Minor | 0 | 8A | 106 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Go, Lovely Rose | Johann Peter Salomon, Timothy Roberts, Rufus Müller | D Major | 0 | 10B | 129 BPM | ||
| Messa a 5 Concertata: VI. Et in terra pax | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | ||
| Membra Jesu nostri, BuxWV 75: IIIa. Ad manus: Quid sunt plagae istae | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
| Tis Only No Harm To Know It, You Know | William Shield, Timothy Roberts, Emma Kirkby | D Major | 0 | 10B | 129 BPM | ||
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| Composizioni per Organo e Cembalo: Toccata del secondo tono | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 131 BPM | ||
| Offerte pour l'orgue et pour les violons, flûtes et hautbois, H. 514 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 55 BPM | ||
| Sonate, arie et correnti, Op. 3, No. 5, Aria sopra "La Bergamasca" | Marco Uccellini, Conor Gricmanis, Timothy Roberts, Noxwode | D♭ Major | 3 | 3B | 143 BPM | ||
| Minuetto in A-Flat Major | George Pinto, Timothy Roberts | D Major | 0 | 10B | 129 BPM | ||
| Bespoke Songs: No. 3, New Lovers | Jonathan Newman, Fotina Naumenko, Garrick Zoeter, Timothy Roberts, Akemi Takayama, Julian Schwarz, Mark Edwards, Karlyn Viña, Marika Bournaki, Nadège Foofat | C Minor | 0 | 5A | 69 BPM | ||
| Gabrieli, A: Intonatione del settimo tono | Andrea Gabrieli, Timothy Roberts | C Major | 1 | 8B | 68 BPM | ||
| Concerto: Audi cœlum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | F Major | 2 | 7B | 85 BPM |