Lars Hegaard, Jesper Sivebæk, Cæcilie Balling, Michal Haring, Ana Angelovska, Eduardo Sánchez, Hsiao Tung Yuan, Filip Štrauch, Max Artved's 'Rituals: I. Obsessions' had a release date set for March 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Rituals: I. Obsessions is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Rituals: I. Obsessions by Lars Hegaard, Jesper Sivebæk, Cæcilie Balling, Michal Haring, Ana Angelovska, Eduardo Sánchez, Hsiao Tung Yuan, Filip Štrauch, Max Artved having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 0 | 8B | 69 BPM | ||
| Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
| Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
| Debussy: Syrinx, CD 137, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
| Configurations | Lars Hegaard, Jesper Sivebæk, Tim Frederiksen | A Major | 1 | 11B | 137 BPM | ||
| El Amor brujo: Quadre Segon: Danza y cancíon de la bruja fingida | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | F Major | 0 | 7B | 94 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
| Piano Trio in A minor, M. 67: 3. Passacaille (Très large) | Maurice Ravel, Beaux Arts Trio | F♯ Minor | 0 | 11A | 87 BPM | ||
| 5 Pieces for String Quartet: No. 5, Alla Tarantella | Erwin Schulhoff, Aviv Quartet | A Minor | 2 | 8A | 80 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
| 屋根裏の旋律 | SIE Sound Team, Yutaka Minobe | D Minor | 0 | 7A | 99 BPM | ||
| D'un soir triste | Lili Boulanger, Yo-Yo Ma, Kathryn Stott | C Major | 1 | 8B | 81 BPM | ||
| Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
| Histoire du Tango: Nightclub 1960 | Augustin Hadelich, Pablo Sainz Villegas | B Minor | 1 | 10A | 172 BPM | ||
| Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major: I. L'Aurore | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Mipha's Theme (From "Breath of the Wild") | Koji Kondo, Yasuaki Iwata, Hajime Wakai, Manaka Kataoka, Jonnas Heisenberg | F Major | 0 | 7B | 67 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Shostakovich: String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Borodin Quartet | A Minor | 0 | 8A | 86 BPM | ||
| Mångata for Solo Flute | Francisco López | E Minor | 0 | 9A | 124 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
| Cello Sonata in D Minor, L. 135: II. Serenade: Modérément anime - | Claude Debussy, Harriet Krijgh, Kamilla Isanbaeva | C Minor | 1 | 5A | 97 BPM |