"Suite No. 1 for Cello and Guitar: II. Histèrico" by Raffaele Bellafronte, Vito Paternoster, Marco Salcito had its release date on March 1, 2014. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in Bellafronte: Ritratto di un compositore by Raffaele Bellafronte, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Suite No. 1 for Cello and Guitar: II. Histèrico's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 1 for Cello and Guitar: II. Histèrico by Raffaele Bellafronte, Vito Paternoster, Marco Salcito is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 4, 3rd Movement | Béla Bartók, vision string quartet | A Minor | 2 | 8A | 73 BPM | ||
| From Jewish Folk Poetry, Op. 79: X. The Young Girl's Song (Arr. for Cello and String Orchestra) | Dmitri Shostakovich, Sol Gabetta, Amsterdam Sinfonietta, Candida Thompson | G Minor | 1 | 6A | 156 BPM | ||
| Villa-Lobos: 12 Études, W235: No. 5 in C Major, Andantino | Heitor Villa-Lobos, Oscar Caceres | G Major | 1 | 9B | 130 BPM | ||
| Schwedische Weisen und Tänze, Op. 6 (Arr. for Nyckelharpa and Piano Trio by Trio Ernest and Éléonore Billy): No. 4, Allegro non troppo | Amanda Maier, Julius Röntgen, Trio Ernest, Éléonore Billy | D Major | 3 | 10B | 124 BPM | ||
| シチリアーノ | George Frideric Handel, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 0 | 9A | 75 BPM | ||
| Keyboard Concerto in F Minor, BWV 1056, II. Largo: Harpsichord Concerto in F Minor, BWV 1056: II. Largo (Arioso) [arr. For cello and guitar] | Johann Sebastian Bach, Boris Andrianov, Dimitri Illarionov | G Major | 0 | 9B | 75 BPM | ||
| Vae Tibi | Radoslaw Pallarz, Emily Körner, Philippe Tondre | A♭ Minor | 8 | 1A | 132 BPM | ||
| Hombre y guitarra - Canción de cuna | Kaare Norge | D Major | 0 | 10B | 79 BPM | ||
| Sicilienne (Arr. by Söllscher) | Maria Theresia von Paradis, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 112 BPM | ||
| Suita Lutniowa in A Minor, BWV 997: Preludium | nieznany, Johann Sebastian Bach, Bianka Szalaty | A Minor | 3 | 8A | 147 BPM | ||
| Suite For Cello Solo No.1 In G Major, BWV 1007: 4. Sarabande - Arr. for Baritone Guitar by Slava Grigoryan | Slava Grigoryan, Johann Sebastian Bach | G Major | 1 | 9B | 66 BPM | ||
| Sonata for Cello and Piano, Op. 40: III. Largo | Dmitri Shostakovich, Markus Stockler, Viktor Yampolsky | C Major | 2 | 8B | 80 BPM | ||
| Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
| Fünf Stücke im Volkston for Cello and Piano, Op. 102: II. Langsam | Robert Schumann, Steven Isserlis, Christoph Eschenbach | F Major | 0 | 7B | 87 BPM | ||
| Toccata Arpeggiata | Giovanni Girolamo Kapsberger, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | ||
| Rêverie: Reverie | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Minor | 2 | 8A | 83 BPM | ||
| Homenaje a Escocia (Variaciones sobre un tema escocés) | Antonio Chover Salom, Carlos Blanco Ruiz | C Major | 1 | 8B | 140 BPM | ||
| Cristalli di sale | Raffaele Bellafronte, Marco Salcito, Maria Gamboz | E Minor | 2 | 9A | 101 BPM | ||
| Miniature for Piano No. 28 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Minor | 2 | 8A | 73 BPM | ||
| Sizzle and Spice | Estoria | A Minor | 2 | 8A | 73 BPM | ||
| Double Bass Concerto in G Major, D. 290: I. Adagio | Domenico Dragonetti, Ubaldo Fioravanti, Padova e del Veneto Orchestra, Claudio Martignon | G Major | 0 | 9B | 81 BPM | ||
| Collectici intim: No. 3, La Calma (Calm) | Vicente Asencio, Otto Tolonen | E Minor | 0 | 9A | 136 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: II. Allemande (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM |