- BPM
- 122
- Key
- C Major
- Camelot
- 8B
3 Duets for Clarinet and Bassoon, WoO 27: I. Allegro commodo by Charles Roland Berry Song Details
Charles Roland Berry's ' "3 Duets for Clarinet and Bassoon, WoO 27: I. Allegro commodo" was released on its scheduled release date, August 12, 2021. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Based on our statistics, 3 Duets for Clarinet and Bassoon, WoO 27: I. Allegro commodo's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
With 3 Duets for Clarinet and Bassoon, WoO 27: I. Allegro commodo by Charles Roland Berry having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.505 dB
- Acousticness
- 99%
- Danceability
- 48%
- Energy
- 11%
- Instrumentalness
- 13%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 59%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Flute Concerto No. 2 in G Major: I. Allegro | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 1 | 9B | 135 BPM | |
 | String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, Leo Korchin, Renaissance Chamber Orchestra | G Minor | 2 | 6A | 91 BPM | |
 | Largo, per archi, armonium, arpa e pianforte | Giuseppe Mulè, Orchestra della Filarrmonica Polacca di Opole, Silvano Frontalini | D Minor | 2 | 7A | 137 BPM | |
 | Berenice, HWV 38: Overture. Andante, larghetto "Minuet from Berenice" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | |
 | Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | |
 | Concerto For Claninet And Orchestra In A Major Kv622 "Adagio" | Various Artists | D Major | 0 | 10B | 81 BPM | |
 | Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | |
 | Adagio for Strings, Op. 11 | Samuel Barber, New Zealand Symphony Orchestra, Andrew Schenck | B♭ Minor | 0 | 3A | 72 BPM | |
 | Faure, Requiem 4, Pie Jesu | Charles Roland Berry, Gabriel Fauré, Philharmonia La Seine | F Major | 2 | 7B | 156 BPM | |
 | Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | |
 | Piano Sonata No. 8 In C Minor Op. 13 - Pathétique - II. Adagio cantabile | The Jane Austen Era | A♭ Major | 0 | 4B | 108 BPM | |
 | Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Hae Won Chang, Camerata Cassovia, Robert Stankovsky | A♭ Major | 0 | 4B | 128 BPM | |
 | Beethoven, String Quartet in G Major, Op. 18, No.2.1, Allegro | Charles Roland Berry, Philharmonia La Seine | D Major | 3 | 10B | 93 BPM | |
 | The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 | Classical Coterie | C Major | 0 | 8B | 217 BPM | |
 | 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Orchestra) | Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | G Major | 1 | 9B | 84 BPM | |
 | Piano Concerto No. 5 In E Flat Major, Op. 73, "Emperor": II. Adagio Un Poco Mosso | Ludwig van Beethoven, Capella Istropolitana, Stefan Vladar | C Major | 1 | 8B | 88 BPM | |
 | An der schönen blauen Donau, Walzer Op. 314 | Johann Strauss II, Mariss Jansons, Wiener Philharmoniker | D Major | 1 | 10B | 87 BPM | |
 | Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | |
 | Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Hans Kalafusz | E Minor | 2 | 9A | 62 BPM | |
 | Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | |
 | We Cannot Get There from Here | Charles Roland Berry, Spencer Hoveskeland, Erica Convery, Jonah Spool, Ellinor String Quartet | G Major | 2 | 9B | 81 BPM | |
 | Scarlatti, D: Keyboard Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | |
 | My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | |
 | Canon in D | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM | |
 | Military March No. 1 in D Major, Op. 39 "Pomp & Circumstance" | Edward Elgar, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 2 | 10B | 118 BPM |
- ISRC
- US5UL0694913
- Label
- L-M Records/RCA Records