Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh's ' "Tara Chandi Ki Shubh Aarati Kijee" was released on its scheduled release date, July 18, 2000. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh's "Jai Maa Tara Chandi" album is number 8 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Tara Chandi Ki Shubh Aarati Kijee's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Tara Chandi Ki Shubh Aarati Kijee by Anuradha Krishan Rastogi, Krishna Kant Tiwari, Ravindra Singh to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bare Bare Ar Asa Hobe Na - Bengali | Koushik Adhikari | E♭ Minor | 6 | 2A | 149 BPM | ||
| Loki Khouray Pee Kay Kiwen | Sardool Sikander | B♭ Major | 5 | 6B | 117 BPM | ||
| Kailas ke nivasi | Ayodhyadas Nimavat | D♭ Minor | 5 | 12A | 109 BPM | ||
| Avadh Me Aanand Bhayo Jai Raghuvar Laal Ki | Pujya Prembhushanji Maharaj | B♭ Minor | 9 | 3A | 157 BPM | ||
| Aie Jyoti Roop | Narendra Chanchal | C Minor | 9 | 5A | 118 BPM | ||
| Bewafa San Dil Lagae | Rajab Faqeer | G Minor | 7 | 6A | 152 BPM | ||
| Masiyan Di Raat Kali | Surinder Kaur | G Major | 9 | 9B | 148 BPM | ||
| Aavadte Belache Pan | Nagesh Morvekar | B Major | 7 | 1B | 115 BPM | ||
| Aayile Ba Khabriya Jaibe | Madan Rai | F♯ Minor | 5 | 11A | 107 BPM | ||
| Gori Gaili Piyava Ke Desh | Madan Rai | E♭ Major | 5 | 5B | 166 BPM | ||
| Bheru Ji Puchhe Mata Ji Ne Has Has Bata | Balveer Ranveer Joda Bhai | F♯ Minor | 9 | 11A | 120 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Karaar Pa Na Sake Hum To | Attaullah Khan | D♭ Major | 6 | 3B | 105 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Mare Thakorji Nathi Thavu | Aditya Gadhvi | B♭ Minor | 6 | 3A | 155 BPM | ||
| Anaadi Nirgun Pragatali Bhavani | Sachidanand Appa | C Major | 6 | 8B | 93 BPM | ||
| Bhakti Re Karvi Aene Rank | Damyanti Bardai | B♭ Minor | 8 | 3A | 118 BPM | ||
| Kanhaiya Tumhen Ik Najar Dekhna Hai | Bhaiya Krishan Das Ji | E Major | 5 | 12B | 83 BPM | ||
| Bheemsury Kranticha | Anand Shinde | F♯ Minor | 9 | 11A | 104 BPM | ||
| Shilvant Sadhune Ae Ji Vare Vare Namiye Panbai | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Bam Bhola-Bam Bhola | Manish Tiwari | F♯ Minor | 9 | 11A | 167 BPM | ||
| Kahena Ail Kavan Behanoiya | Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra | G Major | 5 | 9B | 83 BPM | ||
| Babe Aali Mata | Ghulam Mohammad | F Major | 9 | 7B | 80 BPM | ||
| Talariya Magariya | Seema Mishra | F♯ Major | 5 | 2B | 88 BPM |