Max Reger, Mädchenchor Wernigerode's 'Lobt Gott, ihr Christen allzugleich' had a release date set for October 30, 2015. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 25 in Freu dich, Erd und Sternenzelt - Lieder zur Advents- und Weihnachtszeit by Mädchenchor Wernigerode. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Lobt Gott, ihr Christen allzugleich's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lobt Gott, ihr Christen allzugleich by Max Reger, Mädchenchor Wernigerode is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Janáček: In the Mists: I. Andante | Leoš Janáček, Leif Ove Andsnes | D♭ Minor | 0 | 12A | 137 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung (Arr. for Clarinet and Piano by R. Sévère) | Robert Schumann, Raphaël Sévère, Adam Laloum | A♭ Major | 0 | 4B | 74 BPM | ||
| Suite In Olden Style, Op. 93: 1. Präludium. Allegro commodo (non troppo vivace) | Max Reger, Bamberg Symphony, Horst Stein | D Minor | 1 | 7A | 85 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | E♭ Major | 0 | 5B | 83 BPM | ||
| String Quintet in F Major: III. Adagio | Anton Bruckner, Leipziger Streichquartett, Hartmut Rohde | F♯ Major | 0 | 2B | 86 BPM | ||
| Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) | Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael Fuerst | A♭ Major | 0 | 4B | 111 BPM | ||
| Liebesliederwalzer, Op. 52: No. 6, Ein kleiner hübscher Vogel | Johannes Brahms, Nils Mönkemeyer, Maximilian Hornung, Nicholas Rimmer | C Major | 1 | 8B | 114 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | G Major | 0 | 9B | 62 BPM | ||
| Liszt: Ave Maria IV, S. 545 | Franz Liszt, Stephen Hough | G Major | 0 | 9B | 93 BPM | ||
| Serenade After Plato's "Symposium": II. Aristophanes. Allegretto | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | G Major | 0 | 9B | 62 BPM | ||
| Piano Sonata in G Minor: III. Adagio | Fanny Mendelssohn, Beatrice Rauchs | A♭ Major | 0 | 4B | 66 BPM | ||
| 12 Pieces, Op. 59: No. 11, Melodia in B-Flat Major | Max Reger, Josef Still | B♭ Major | 0 | 6B | 82 BPM | ||
| Lieder ohne Worte, Op. 53: No. 5 in A Minor. Allegro con fuoco, MWV U 153 "Folksong" | Felix Mendelssohn, Igor Levit | A Minor | 2 | 8A | 144 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Suite In A Minor For Violin And Orchestra, Op. 103 a: 5. Menuett. Moderato-Trio. Piu mosso | Max Reger, Walter Forchert, Bamberg Symphony, Horst Stein | B♭ Major | 1 | 6B | 85 BPM | ||
| Nocturne, Op. 9,2 | Frédéric Chopin, Joanna Madroszkiewicz, Paul Gulda | E♭ Major | 0 | 5B | 115 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Du bist die Ruh, D 776 | Nils Mönkemeyer | E♭ Major | 0 | 5B | 68 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 3. Grave assai | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| Waldszenen: 9. Abschied | Calefax Reed Quintet | B♭ Major | 0 | 6B | 134 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 1 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM |