"Afternoon Scurrying" by Molly Nyman, Harry Escott had its release date on July 27, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 13 in A Mighty Heart (Music From The Motion Picture) (Edited) by Molly Nyman, Harry Escott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Afternoon Scurrying's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Afternoon Scurrying by Molly Nyman, Harry Escott is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awareness | Hanan Townshend | A Minor | 2 | 8A | 86 BPM | ||
| Der Prangertag | Johnny Klimek, Tom Tykwer | B♭ Major | 2 | 6B | 68 BPM | ||
| Unnatural Mother | Dickon Hinchliffe | F Major | 1 | 7B | 34 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| Modern | Mogwai | G Major | 7 | 9B | 103 BPM | ||
| Sadness | Elektroföb | E Major | 0 | 12B | 96 BPM | ||
| Tommy's Requiem #1 | Anna Calvi | A Major | 2 | 11B | 139 BPM | ||
| Lord George | Chris Benstead | G Major | 1 | 9B | 138 BPM | ||
| Play a Game With Me | Chris Benstead | D Major | 0 | 10B | 91 BPM | ||
| Simulacra I | Ben Frost, Daníel Bjarnason | E Major | 0 | 12B | 96 BPM | ||
| The Process | Marc Streitenfeld | D Major | 3 | 10B | 88 BPM | ||
| Title Card | Robert Levon Been, Jesse Mark Russell, Giancarlo Vulcano | D Major | 1 | 10B | 76 BPM | ||
| Ground | Julia Kent | D Minor | 3 | 7A | 86 BPM | ||
| Amar: Paddy Fields | Armand Amar, The City of Prague Philharmonic Orchestra | D♭ Minor | 1 | 12A | 87 BPM | ||
| Sisters | Jim Williams | F Major | 1 | 7B | 142 BPM | ||
| Out to Sea | Ólafur Arnalds | C Minor | 4 | 5A | 106 BPM | ||
| By Order Of The Peaky Fucking Blinders | Antony Genn, Martin Slattery | A♭ Major | 4 | 4B | 132 BPM | ||
| Neuland | Henry Jackman, Dominic Lewis | F Major | 0 | 7B | 77 BPM | ||
| Will It Hurt | Cliff Martinez | A♭ Major | 1 | 4B | 70 BPM | ||
| A Bird in the Fan | Jason Hill | C Minor | 1 | 5A | 127 BPM | ||
| Chrysanthemum Complex | Cliff Martinez | C Minor | 3 | 5A | 105 BPM | ||
| Amar: Toil | Armand Amar, The City of Prague Philharmonic Orchestra | D♭ Major | 2 | 3B | 115 BPM | ||
| Sharon | Guy Farley | A Minor | 0 | 8A | 80 BPM | ||
| La tela roja | Alberto Iglesias | A Minor | 1 | 8A | 82 BPM | ||
| The Trap | Nathan Barr | B Minor | 3 | 10A | 150 BPM |