Sam Boodram's ' "Invocation" was released on its scheduled release date, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Yankaran, Sam Boodram's "Jai Kaali" album is number 1 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Invocation's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Invocation by Sam Boodram to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Krishna Govinda Hare Murari | Maanya Arora | G Minor | 4 | 6A | 148 BPM | ||
| Bhawani Mai Jhul Rahi Jhulna | Shahnaz Akhtar | A♭ Major | 5 | 4B | 114 BPM | ||
| Pibare Rama Rasam | Sri Sathya Sai Bhajans | B♭ Minor | 8 | 3A | 140 BPM | ||
| Tera Ram Jee Karenge Beda Paar | Dhiraj Kant | E Minor | 8 | 9A | 92 BPM | ||
| Utha Jage Vha Re Aata | Baba Maharaj Satarkar | F♯ Minor | 7 | 11A | 80 BPM | ||
| Mangala Aarti | Swarup Damodar Prabhu | D♭ Major | 4 | 3B | 159 BPM | ||
| Shankar Bhandar Bole (Bandish) | Bharat Balvalli | C Major | 7 | 8B | 126 BPM | ||
| Gomu Kolyachi Por | Chitra Devdhar | F♯ Major | 7 | 2B | 80 BPM | ||
| Kela Maticha Pashuupati Tari Matichi Kay Mahti | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 8 | 10B | 91 BPM | ||
| Ake Din Jana (Nirrgoon Bhajan) | Sam Boodram | B♭ Major | 4 | 6B | 156 BPM | ||
| Gad Aabu Mathe Parmaro | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Jay Kali Jay Kali Maa | Hemant Dubey | F♯ Minor | 10 | 11A | 104 BPM | ||
| Vitir Prakhar Tejobal | Bharat Balvalli | G Major | 6 | 9B | 134 BPM | ||
| Nili Jamud Ko Chhadgo | Rajendra Baghel | G Major | 7 | 9B | 133 BPM | ||
| Timki Mein Ganesh | The Bundeli Artists | B Minor | 7 | 10A | 100 BPM | ||
| Dhol Vaje Dhol Pavrila | Ashok Jadhav | A♭ Major | 5 | 4B | 100 BPM | ||
| Dharanir Bhar Harite Abar | Ramakrishna Math, Swami Sarvagananda | D♭ Minor | 5 | 12A | 156 BPM | ||
| Raja Prithu | Shailendra Bharti | C Major | 4 | 8B | 90 BPM | ||
| Ganga Lahari | Prem Prakash Dubey | B♭ Major | 4 | 6B | 156 BPM | ||
| Krupalu Udhar Majha Nyaneshwar | Bandubua Golegavkar | E♭ Minor | 6 | 2A | 93 BPM | ||
| Chalo Hanuman Bir | Sam Boodram | B Minor | 10 | 10A | 152 BPM | ||
| Atma LIngam Bhajore | Sri Sathya Sai Bhajans | F Major | 6 | 7B | 142 BPM | ||
| Jabanwa Rama Ulta Ho Gail | Karina Pandey | B♭ Minor | 7 | 3A | 79 BPM | ||
| Om Namo Dnyaneshwara | Vishnubuva Wavanjekar | E♭ Minor | 4 | 2A | 104 BPM | ||
| Runu Zhunu Runu Zhunu | Bandubua Golegavkar | B♭ Major | 6 | 6B | 115 BPM |