"Baroness Missing" by Hans Zimmer had its release date on October 10, 2025. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 20 in Eden (Original Motion Picture Soundtrack) by Hans Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Baroness Missing is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Baroness Missing by Hans Zimmer is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Love the Job | Hans Zimmer | C Major | 1 | 8B | 43 BPM | ||
| Curse of the Mirror | Stephen James Moore, Steve Moore | C Major | 1 | 8B | 57 BPM | ||
| The Lunch Table | Hans Zimmer | A Minor | 5 | 8A | 115 BPM | ||
| Exodus | Ben Salisbury, Suvi-Eeva Äikäs | B♭ Major | 4 | 6B | 124 BPM | ||
| In Times of Crisis | Murray Gold | C Major | 3 | 8B | 110 BPM | ||
| The Frozen Portal | Everrune | B♭ Major | 4 | 6B | 124 BPM | ||
| Oathkeeper | Brandon Roberts | A♭ Major | 1 | 4B | 91 BPM | ||
| Bristol Speedway | Antony Partos | D Major | 1 | 10B | 200 BPM | ||
| Mycogen | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| Obedience | Debbie Wiseman, The Locrian Ensemble Of London | A Minor | 3 | 8A | 77 BPM | ||
| Redlined | Clinton Shorter | B♭ Major | 4 | 6B | 124 BPM | ||
| Our New Home | Hans Zimmer | A Minor | 5 | 8A | 115 BPM | ||
| Henry Is Gone | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Cemetery | Mac Quayle | G Major | 0 | 9B | 149 BPM | ||
| Day of Dominion | Bear McCreary, Sparks & Shadows | G Minor | 2 | 6A | 140 BPM | ||
| The Vanguard | Scott Buckley | B♭ Major | 4 | 6B | 124 BPM | ||
| Mon-Tage | Nicholas Britell | D♭ Minor | 1 | 12A | 125 BPM | ||
| A Good Death | Ben Harlan | E Major | 0 | 12B | 65 BPM | ||
| Attack in the Camp | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Underwater | Danny Elfman | B♭ Major | 4 | 6B | 124 BPM | ||
| The Age of Disclosure | Blair Mowat | C Major | 1 | 8B | 66 BPM | ||
| City of Dreams | James Everingham | D Major | 5 | 10B | 101 BPM | ||
| Brother's Wrath | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| Entrance | Gabríel Ólafs | D Major | 0 | 10B | 73 BPM | ||
| March of the Unmade (Constructs) | Scott Buckley | B♭ Major | 4 | 6B | 124 BPM |