"It Had To Be You" by Tony Bennett had its release date on April 20, 1964. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When Lights Are Low by Tony Bennett. The song's track number on the album is #10 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. It Had To Be You is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since It Had To Be You by Tony Bennett has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With It Had To Be You being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Touch Of Your Lips - Take 1 | Bill Evans, Tony Bennett | C Major | 3 | 8B | 119 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| Recipe For Love | Harry Connick, Jr. | C Minor | 2 | 5A | 141 BPM | ||
| It's De-Lovely | Jeri Southern | B♭ Major | 1 | 6B | 74 BPM | ||
| Autumn in New York | Ernestine Anderson | B♭ Major | 3 | 6B | 63 BPM | ||
| I Have But One Heart/Marinariello | Giada Valenti | B♭ Minor | 2 | 3A | 176 BPM | ||
| You've Changed | Molly Johnson | B♭ Minor | 2 | 3A | 88 BPM | ||
| For Once in My Life (with Stevie Wonder) | Tony Bennett, Stevie Wonder | C Major | 3 | 8B | 70 BPM | ||
| As Time Goes By | Billie Holiday | E Minor | 1 | 9A | 78 BPM | ||
| Two Sleepy People | Carmen McRae | C Minor | 3 | 5A | 73 BPM | ||
| Blue Moon | Flora Martínez | D♭ Major | 2 | 3B | 110 BPM | ||
| Ev'ry Time We Say Goodbye - Instrumental | Charlie Haden Quartet West, Jeri Southern, Dave Barbour Trio | G Major | 1 | 9B | 120 BPM | ||
| That's All | Ben Webster | G Minor | 1 | 6A | 80 BPM | ||
| Embraceable You | Frank Sinatra, Lena Horne | D Major | 2 | 10B | 163 BPM | ||
| Close to You | Hailey Tuck | G Major | 3 | 9B | 108 BPM | ||
| Gone With The Wind | Tony Bennett | D♭ Major | 4 | 3B | 138 BPM | ||
| You're Getting to Be a Habit with Me | Bria Skonberg, Stefon Harris, Aaron Diehl, Reginald Veal, Ali Jackson | B♭ Major | 2 | 6B | 72 BPM | ||
| If You Love Me | Melody Gardot | C Minor | 2 | 5A | 182 BPM | ||
| Makin' Whoopee! (with Rickie Lee Jones) | Dr. John, Rickie Lee Jones | F Minor | 5 | 4A | 88 BPM | ||
| The Very Thought Of You | Naama | A♭ Major | 1 | 4B | 80 BPM | ||
| Oh My Love | Kat Edmonson | B Minor | 3 | 10A | 82 BPM | ||
| The Glory of Love | Jimmy Durante | F Major | 3 | 7B | 97 BPM | ||
| Night and Day | Emma Smith | D Minor | 1 | 7A | 124 BPM | ||
| All My Tomorrows | Tony Bennett | G Minor | 1 | 6A | 99 BPM | ||
| Don't Lose Your Sense of Humor | Jimmy Durante | C Major | 5 | 8B | 86 BPM |