On October 8, 1998, the song "Chhathi Ke Ghat" was released by Bijli Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Arag Ke Bera by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chhathi Ke Ghat's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chhathi Ke Ghat by Bijli Rani is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Durga Bhawani Mamta Rani | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Ghare Aavo Chod Dao Kay Lala Tumne | Raju Patel, Dhaniram Sen | C Major | 5 | 8B | 122 BPM | ||
| Bhebe De Tu Maja | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Bhajan Kar Mani Ram | Madan Gopal | B♭ Minor | 7 | 3A | 128 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Jab Aayi Milan Ki Raat | Bijli Rani | D Major | 8 | 10B | 148 BPM | ||
| Jati Chara Jai Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Sogandh Ram Ki Khate Hai | Prakash Mali | B♭ Major | 8 | 6B | 109 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Sharan Aaye Tumhare Parbhu | Mukesh | F Minor | 7 | 4A | 126 BPM | ||
| Mann Ke Anhariya | Anand Mohan, Palak, Madhukar Anand | D Minor | 7 | 7A | 80 BPM | ||
| Bhairav Maar Rahe Kilkari | Sanjay Gulati | D Major | 8 | 10B | 183 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Jab Hum Na Rahenge | Bijli Rani | D♭ Major | 6 | 3B | 105 BPM | ||
| Teri Armaano Ka Jaadu | Super Cassettes Industries Private Limited, Sameer Anjaan | A♭ Major | 9 | 4B | 105 BPM | ||
| Baba Ji Teri Shakti Noo | Dhiraj Sharma | A Major | 5 | 11B | 130 BPM | ||
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| Parbinema Sachimata | Parikshit Bala | E♭ Minor | 5 | 2A | 136 BPM | ||
| Darshan De Do Ambay Maiya | Poonam Mishra | C Minor | 8 | 5A | 155 BPM | ||
| Annyapurna Biswanather | Manna Dey | E Major | 7 | 12B | 147 BPM | ||
| Hey Ge Maa Hum Ne Baklel Ge | Dilip Dharbhangiya | D♭ Minor | 8 | 12A | 154 BPM | ||
| Barrotan Moye Dikhbe Bhoot Babba Tumai Maro Bhaboot | Narendra Thakur, Ramdevi Masoom | F♯ Major | 9 | 2B | 116 BPM | ||
| Chola Churat Rahige | Gorelal Barman | F Major | 7 | 7B | 138 BPM | ||
| Aawe - Aawe Gori Hamra Sang | Kumar Kiran, Bijli Rani, Sarwan Saaj, Mona, Tumpa Das | A Minor | 5 | 8A | 190 BPM |