Charles Mathews's ' "Piano Man (Pirouettes en Diagonal)" was released on its scheduled release date, July 14, 2017. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Piano Man (Pirouettes en Diagonal)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Pop Hits for Ballet Class, Vol. 1". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, Piano Man (Pirouettes en Diagonal)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Piano Man (Pirouettes en Diagonal) by Charles Mathews having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Demi Plié Y Grand Plié. Metre 3/4. | Vadim Proshich, MetodoVadim | G Major | 1 | 9B | 181 BPM | ||
| Battement Fondu | Charles Mathews | C Major | 1 | 8B | 125 BPM | ||
| Fondu | Igor Zapravdin | E Major | 1 | 12B | 107 BPM | ||
| Jeté | Igor Zapravdin | F Major | 2 | 7B | 90 BPM | ||
| Time to Pretend (Plie) [Slower] | A Dancer's Delight | D Major | 4 | 10B | 75 BPM | ||
| Stretch 3x4 | Jorge L. Martínez | D Major | 2 | 10B | 101 BPM | ||
| Unchained Melody (Stretching) | Charles Mathews | G Major | 1 | 9B | 83 BPM | ||
| Bending Time (Plies, Barre Technique) | David Howard, Douglas Corbin | B♭ Major | 2 | 6B | 108 BPM | ||
| Warm up with Port de Bras | Caleb Fawcett | F Minor | 1 | 4A | 78 BPM | ||
| Romeo and Juliet, Op. 64: No. 13, "Dance of the Knights" (Grand Battement) | Sergei Prokofiev, Charles Mathews | C Major | 5 | 8B | 175 BPM | ||
| Battement tendu jeté 6/8 | The Ballet Pianist | G Major | 3 | 9B | 137 BPM | ||
| Demi Plié, Grand Plie, Port De Bras. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 4 | 10B | 136 BPM | ||
| Rond De Jambe Par Terre + Port De Bras 2/4 | Diego Guedes | B♭ Major | 2 | 6B | 155 BPM | ||
| Warm Up : Ankles and Feet - Autumn in Beijing | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| Somewhere over the Rainbow (Stretching) | Harold Arlen, Charles Mathews | C Major | 5 | 8B | 175 BPM | ||
| Pliés/Adagio With Balance: Barre Technique | David Howard, Joe Cross | D♭ Major | 1 | 3B | 72 BPM | ||
| Battement Tendu: One | Charles Mathews | G Minor | 3 | 6A | 108 BPM | ||
| Rigoletto, Act III: La Donna É Mobile (Battement Tendu) | Giuseppe Fortunino Verdi, Charles Mathews | G Major | 1 | 9B | 119 BPM | ||
| You Raise Me Up (Port de Bras) | Charles Mathews | F♯ Minor | 4 | 11A | 150 BPM | ||
| We Found Love (Pirouette) | Joey McNamara | F♯ Major | 1 | 2B | 101 BPM | ||
| Rond De Jambe Par Terre 3/4 64 Counts | Marina Stolyar | D Major | 1 | 10B | 90 BPM | ||
| Reverence/Adagio: Center Floor Technique | David Howard, Joe Cross | A Major | 1 | 11B | 76 BPM | ||
| Ronds de Jambe | Caleb Fawcett | D♭ Major | 2 | 3B | 106 BPM | ||
| Grand Allegro Carousel Waltz | Akiko Hobson | F Major | 2 | 7B | 90 BPM | ||
| Frappe G Minor (64) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM |