On January 1, 1947, the song "Haath Seene Pe Jo Rakh Do" was released by Noor Jehan, G. M. Durrani. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Husnlal Bhagatram, Pt. Amarnath, Aziz Kashmiri, Qamar Jalalabadi's "Mirza Sahiban" album is number 10 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Haath Seene Pe Jo Rakh Do is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Haath Seene Pe Jo Rakh Do by Noor Jehan, G. M. Durrani to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ae Dil Kisi Ki Yaad Mein | Naseem Begum | B♭ Major | 2 | 6B | 80 BPM | ||
| Ajo Ke Raat Rahi Piyo | Jalal Chandio | G Major | 9 | 9B | 160 BPM | ||
| Gulon Main Rang | Ali Sethi | E Major | 3 | 12B | 148 BPM | ||
| Mann Mayal | Quratulain Balouch, Shuja Hyder | C Major | 3 | 8B | 78 BPM | ||
| Sat Asmana De Tale | Waseem Niazi | A Minor | 8 | 8A | 104 BPM | ||
| Ve Pardesia | Wajahat Attre, Noor Jehan | G Major | 5 | 9B | 102 BPM | ||
| Mathe Te Chamkan | Musarrat Nazir | F Major | 4 | 7B | 106 BPM | ||
| Dil Gaya Tum Ne Liya | Noor Jehan | A Major | 5 | 11B | 148 BPM | ||
| Ae Mere Hum Nasheen | Munni Begum | C Major | 5 | 8B | 81 BPM | ||
| Mera Laung Gawacha | Musarrat Nazir | B Minor | 8 | 10A | 101 BPM | ||
| Kundi (From "Dil Wali Gali Mein") | Umair Ali Akbar | A Minor | 5 | 8A | 78 BPM | ||
| Charde Suraj Dhalde Dekhe | Himanshu Sharma | A♭ Minor | 1 | 1A | 81 BPM | ||
| Na Na We Na | Inayat Hussain Bhatti, Noor Jehan | F Major | 6 | 7B | 141 BPM | ||
| Payal Mein Geet | Iqbal Bano | D♭ Major | 6 | 3B | 87 BPM | ||
| Aap Ki Ankhon Mein Kuch (From "Ghar") | Kishore Kumar, Lata Mangeshkar | E♭ Major | 6 | 5B | 100 BPM | ||
| Man Ja Balma | Asa Singh Mastana, Surinder Kaur | G Major | 3 | 9B | 103 BPM | ||
| Bindi Da Lishkara | Wajahat Attre, Noor Jehan | G Minor | 9 | 6A | 90 BPM | ||
| Shaam Se Pehle Aana | Alamgir | D♭ Major | 8 | 3B | 83 BPM | ||
| Mere Humnafas Mere Humnava | Begum Akhtar | B♭ Major | 4 | 6B | 156 BPM | ||
| Lathe Di Chadar Utte Saleti | Surinder Kaur | C Major | 4 | 8B | 96 BPM | ||
| Punjabi Tappe - Live | Amrita Kaur, Zeeshan Ali | D Major | 5 | 10B | 90 BPM | ||
| Ki Puchhde O Haal Fakiran Da | Mahendra Kapoor | B♭ Minor | 5 | 3A | 83 BPM | ||
| Das Main Ki Pyar Wichon Khatyal | Lal Chand Yamla Jatt | D♭ Major | 4 | 3B | 85 BPM | ||
| The Making Of Main Yahaan Hoon | Madan Mohan, Udit Narayan, Javed Akhtar | E Minor | 7 | 9A | 85 BPM | ||
| Dil Jalane Ki Baat | Farida Khanum | A Major | 7 | 11B | 155 BPM |