On October 1, 1999, the song "Jaipur Jajyo Ji Dhola" was released by Rukmani Bajan, Om Prakash. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Devariyo Pyaro Laage by Rukmani Bajan, Om Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Jaipur Jajyo Ji Dhola is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jaipur Jajyo Ji Dhola by Rukmani Bajan, Om Prakash is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghani Okhwaro Dasi Gham | Sardar Ali Takkar | F♯ Major | 6 | 2B | 95 BPM | ||
| The To Baat Mano | Rukmani Bajan, Om Prakash | B Minor | 9 | 10A | 114 BPM | ||
| Vinayaka Nee Murthy Ke | P. Susheela, Vennelakanti | E Minor | 7 | 9A | 104 BPM | ||
| Nay Gonge Nay Gonge | Veena Bamne, Shrikant Narayan | B♭ Minor | 4 | 3A | 165 BPM | ||
| Chan Chamke | Lakhbir Singh Lakkha | G Major | 5 | 9B | 89 BPM | ||
| Emati Jhiaku Mu Baha Huanti | Akshay Mohanti | D Minor | 4 | 7A | 175 BPM | ||
| Tere Prabhu Jante Hain | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 5 | 4B | 124 BPM | ||
| Hala Karu Hu | Baps Swaminarayan Sanstha | E Major | 3 | 12B | 132 BPM | ||
| Ujvyaa Haattan Samaan Dhara | Anand Shinde | F Major | 6 | 7B | 142 BPM | ||
| Ghatma Girdhari Manma Morari | Nidhi Dholakia, Nitin Devka | B♭ Minor | 5 | 3A | 91 BPM | ||
| Dev Jotiba Aala Navaji Bhakta Ghari | Vijay Sartape | F♯ Major | 7 | 2B | 91 BPM | ||
| Sir Ke Sundoor Re Gavanva | Sharda Sinha | D Major | 4 | 10B | 97 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Shanti Ke Path Per Chalo | Brahma Kumari | F♯ Major | 2 | 2B | 183 BPM | ||
| Pandharichya Sakhya Panduranga | Prahlad Shinde | G Minor | 4 | 6A | 93 BPM | ||
| Kahin Kahin Se Har Chehra | Lata Mangeshkar, Asha Bhosle, Jagjit Singh | A♭ Major | 6 | 4B | 110 BPM | ||
| Bajoo Bandh | Alka Yagnik, Suresh Wadkar, Laxmikant–Pyarelal | D♭ Minor | 8 | 12A | 89 BPM | ||
| Hum Bhi Kya Zindagi Guzar | Anup Jalota | A♭ Major | 7 | 4B | 93 BPM | ||
| Muraliya Baje Jamuna Re Teer | Chitra Singh | F Major | 5 | 7B | 89 BPM | ||
| Majhe Navsala Khandu Deva | Santosh Nayak | E♭ Major | 5 | 5B | 81 BPM | ||
| Aye Tujha | Madhukar Pathak | F Major | 4 | 7B | 79 BPM | ||
| Ladke Idhar Bhi | Udit Narayan, Preeti Uttam | A♭ Major | 8 | 4B | 167 BPM | ||
| Shiv Kailasho Ke Wasi | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | F♯ Major | 5 | 2B | 130 BPM | ||
| Vatika Mein Hanuman Kautuk Karan Lage | Ravindra Jain, Sushil Kumar Sheel | E Major | 5 | 12B | 87 BPM | ||
| Sai Tere Haathon Mein | Mohammed Aziz | B Minor | 6 | 10A | 96 BPM |