On October 1, 1999, the song "The To Baat Mano" was released by Rukmani Bajan, Om Prakash. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Devariyo Pyaro Laage by Rukmani Bajan, Om Prakash. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, The To Baat Mano is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The To Baat Mano by Rukmani Bajan, Om Prakash is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mari Mena Re Bole Re Gadh Ne Kangre | Lalita Ghodadra, Raghuveer Kunchala | E♭ Major | 6 | 5B | 172 BPM | ||
| Maze Maaher Pandhari | Kishori Amonkar | A♭ Major | 6 | 4B | 99 BPM | ||
| Naam Tumhara Taran Hara | Rakesh Kala, Ramesh Tanwar, Shailendra, Anjali Jain | B Major | 5 | 1B | 96 BPM | ||
| Aarti Kunj Bihari Ki | Hari Om Sharan | D♭ Major | 5 | 3B | 108 BPM | ||
| Jai Bolo Baba Lokenather | Kumar Sanu | A♭ Major | 7 | 4B | 107 BPM | ||
| Khubsurat Hai Aankhen | Talat Aziz | E Major | 4 | 12B | 135 BPM | ||
| Jagna Loko Mari Hansi - Pt. 1, From "Vaali Bharwadan" | Damyanti Bordia | C Major | 9 | 8B | 157 BPM | ||
| Shravan Mahinyat | Usha Mangeshkar, Mahendra Kapoor | A Major | 9 | 11B | 85 BPM | ||
| Bajoo Bandh | Alka Yagnik, Suresh Wadkar, Laxmikant–Pyarelal | D♭ Minor | 8 | 12A | 89 BPM | ||
| Koi Bole Ram Ram Koi Khudae | Bhai Jaswinder Singh Ji | C Major | 8 | 8B | 93 BPM | ||
| Aar Chahina Janam | Gostho Gopal Das | E♭ Minor | 5 | 2A | 149 BPM | ||
| Nao Tuzaghenyasathi | Suresh Wadkar, Dada Kondke | C Major | 8 | 8B | 98 BPM | ||
| Pura Poya Handata | Rohana Weerasinghe, Sunil Edirisinghe | D Minor | 7 | 7A | 130 BPM | ||
| Bol Re Mitthu Tapat Kuru | Shailbhama Mahapatra | F♯ Major | 8 | 2B | 78 BPM | ||
| Chalgo Nani | UMAKANT BARIK | B Minor | 8 | 10A | 134 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM | ||
| Naarayana Manthram | P. Susheela, Samudrala Sr., Kosaraju, Palagummi Padmaraju, Arudra, Vempati Sadasivabrahmam | F♯ Major | 8 | 2B | 78 BPM | ||
| Data Ek Ram | Hari Om Sharan | F♯ Major | 4 | 2B | 173 BPM | ||
| Ghoongta Uthaave Dulhaniya | Sharda Sinha | F♯ Minor | 8 | 11A | 75 BPM | ||
| Sayandhanam (Female) | Raveendran, Kaithapram, K. S. Chithra | D Minor | 5 | 7A | 124 BPM | ||
| Daadiyun Bati | Narendra Singh Negi, Anuradha Nirala | D♭ Minor | 4 | 12A | 164 BPM | ||
| Shiv Shankar Beda Paar Karo | Hariharan | C Minor | 6 | 5A | 89 BPM | ||
| Jaipur Jajyo Ji Dhola | Rukmani Bajan, Om Prakash | A♭ Minor | 7 | 1A | 117 BPM | ||
| Katar Katarma | Ram Thapa, Tara Thapa | E♭ Major | 7 | 5B | 118 BPM | ||
| Beech Bhanwar Mein | Suraiya | C Major | 5 | 8B | 137 BPM |