Traditional, Ira David Sankey, Robert Lowry, Faryl Smith, Barry Clark's 'How Can I Keep From Singing?' had a release date set for January 1, 2009. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wonderland by Faryl Smith. The song's track number on the album is #13 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. How Can I Keep From Singing? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since How Can I Keep From Singing? by Traditional, Ira David Sankey, Robert Lowry, Faryl Smith, Barry Clark has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With How Can I Keep From Singing? being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On Jordan's Bank | OCP Session Choir | B♭ Major | 3 | 6B | 92 BPM | ||
| St. Lawrence, Jewry: Spliced Surprise Major | Traditional, Bell Ringing Teams | B♭ Minor | 3 | 3A | 99 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Ye Banks And Braes | Strathclyde University Chamber Choir | A♭ Major | 2 | 4B | 79 BPM | ||
| La Kanteletar: I. Herkä neito | Veljo Tormis, Mikrokosmos, Loïc Pierre | F♯ Major | 0 | 2B | 69 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
| O Lord have mercy | Cosmos Onyiba | A♭ Major | 8 | 4B | 80 BPM | ||
| Tallis: A New Commandment | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 79 BPM | ||
| Traditional: Stift Heiligenkreuz Bells | Traditional, Cistercian Monks of Stift Heiligenkreuz | C Major | 1 | 8B | 89 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Wonderful Peace | Gustaf Nordqvist, Kerani | C Major | 2 | 8B | 88 BPM | ||
| Hodie Christus Natus Est | Traditional, Poor Clare Sisters Arundel, Juliette Pochin, James Morgan, Adrian Bradbury | F Major | 2 | 7B | 82 BPM | ||
| Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
| O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM | ||
| All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | ||
| Vidi Aquam - Chant Mass | OCP Session Choir | G Minor | 1 | 6A | 94 BPM | ||
| Ave Maria, Angelus Domini | Voices Of The Cathedral | B Major | 2 | 1B | 77 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| Gaudete (Arr. S. Vango) | Traditional, Papagena | F Major | 1 | 7B | 170 BPM | ||
| Requiem: Agnus Dei | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | G Major | 0 | 9B | 89 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM |