Ralph Shapey, Robert Black's ' "Fromm Variations (31 Variations For Piano): Variation XXVIII" was released on its scheduled release date, January 1, 2007. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #29. Based on our statistics, Fromm Variations (31 Variations For Piano): Variation XXVIII's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Fromm Variations (31 Variations For Piano): Variation XXVIII by Ralph Shapey, Robert Black having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| Three For Six: Movement II | Ralph Shapey, Wanda Maximilien, Robert Black | D♭ Major | 0 | 3B | 136 BPM | ||
| Bartók: For Children, Sz. 42, Book IV "Slovakian Folk Songs": No. 76, The Hidden Horse. Poco allegretto | Béla Bartók, Dezsö Ranki | G Minor | 0 | 6A | 70 BPM | ||
| The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Minipulsars, Pt. 1: Bing 1 | Tomasz Trzcinski | F Minor | 3 | 4A | 77 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| The Cat and the Moon: Minnalousha runs on the grass | Thomas Putsché, Elsa Charlston, Ralph Shapey | G Major | 0 | 9B | 115 BPM | ||
| Dos Piezas Griegas: I. Delicadamente | Antón García Abril, Laura Ballestrino | C Minor | 0 | 5A | 65 BPM | ||
| Quintet: III. | Ralph Shapey, Raymond Mase, Chris Gekker, David Wakefield, Michael Powell, Robert Biddlecome | B♭ Minor | 0 | 3A | 112 BPM | ||
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Moon Ritual | Luna Mystic | D Minor | 1 | 7A | 84 BPM | ||
| Concerto No. 2 for Cello & String Orchestra "Klatbutne / Presence": I. Cadenza | Pēteris Vasks, LGT Young Soloists, Caterina Isaia, Alexander Gilman | E Minor | 0 | 9A | 96 BPM | ||
| Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
| For Bunita Marcus (1985): page 6 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
| Diversions: I. Desert Impression | Deon Nielsen Price | B♭ Minor | 1 | 3A | 83 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM |