"Why She Left" by Joel P West had its release date on 2017. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Glass Castle (Original Soundtrack Album)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Why She Left is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Why She Left by Joel P West having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A World Of Wonder | David Schweitzer | G Major | 5 | 9B | 122 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Your Mother | Joel P West | E Minor | 1 | 9A | 83 BPM | ||
| Min pappa är död | Isak Lundberg | B♭ Minor | 2 | 3A | 91 BPM | ||
| Twilight of the Gods | Mark Mothersbaugh | F♯ Major | 1 | 2B | 143 BPM | ||
| Catch | Rob Simonsen | B♭ Major | 1 | 6B | 84 BPM | ||
| More Baggy Wrinkles | David Hirschfelder | F Major | 4 | 7B | 80 BPM | ||
| Foundation End Credits | Bear McCreary | B♭ Major | 1 | 6B | 120 BPM | ||
| Preparing The Trap | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Why She Left | Joel P West | D Minor | 2 | 7A | 74 BPM | ||
| Wildebeest (Episode 1 - Volcanoes) | Ilan Eshkeri | A Minor | 2 | 8A | 63 BPM | ||
| Fight for the Light | Joseph Trapanese, The Budapest Art Orchestra | F Minor | 2 | 4A | 171 BPM | ||
| Don't Look Down | Joel P West | D♭ Major | 6 | 3B | 160 BPM | ||
| A New Home | John Williams | B♭ Major | 1 | 6B | 81 BPM | ||
| An Intimate Dance | Christian Lundberg | C Minor | 0 | 5A | 77 BPM | ||
| Eternals Theme | Ramin Djawadi | D♭ Major | 4 | 3B | 90 BPM | ||
| The Run (Urban Legends) | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| I Love You Guys | John Murphy | E Minor | 1 | 9A | 61 BPM | ||
| Cyborg Becoming / Human All Too Human | Junkie XL | C Minor | 1 | 5A | 178 BPM | ||
| Groot Spores | Tyler Bates | D Major | 2 | 10B | 91 BPM | ||
| Ragnarok Suite | Mark Mothersbaugh | D Minor | 4 | 7A | 71 BPM | ||
| Around The World In 80 Days End Credits | Christian Lundberg | D Major | 5 | 10B | 144 BPM |