On May 17, 1990, the song "Tretayare Ramaleela" was released by Raghu Sahu. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Raghu Sahu's "Kala Thakura" album is number 4 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, Tretayare Ramaleela's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tretayare Ramaleela by Raghu Sahu to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kalia Mu Tote Bhala Pauchi | Mahesh Kumar | D Minor | 8 | 7A | 172 BPM | ||
| Srabana Re Srabana | Priya Battacharya | D♭ Minor | 6 | 12A | 160 BPM | ||
| Shibavpanchakshar Japi | Anjali Mishra | G Major | 6 | 9B | 176 BPM | ||
| Samia Helani | Prafulla Behera | G Minor | 6 | 6A | 141 BPM | ||
| Jodi - From "Kaa Tain Mola Mohni Maar Diye Re" | Umesh Kumar Chauhan, Karishma Khan | E Major | 7 | 12B | 147 BPM | ||
| Kalasire Ganga Jala | Anusuya Nath | G Minor | 6 | 6A | 121 BPM | ||
| Mangal Vedhi Bhumi Santanchi | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Tum Pari Prabhu Thau Thau | Narendra Kumar | B♭ Minor | 8 | 3A | 80 BPM | ||
| Suruja Jaye | T. Sauri, Ira Mohanty, Swarup Nayak, Sirsananda | A♭ Minor | 6 | 1A | 133 BPM | ||
| Sabu Sukha Sabu Punya | Kumar Bapi | D♭ Minor | 8 | 12A | 91 BPM | ||
| Bada Dandare | Sricharan Mohanty | D♭ Minor | 6 | 12A | 84 BPM | ||
| A Manaku Bhulai | Prashant Muduli, Ira Mohanty | B Major | 8 | 1B | 93 BPM | ||
| Sahe Aatha Belapatra | Anuradha Paudwal | A♭ Major | 5 | 4B | 161 BPM | ||
| Mausi Kahe Pua | Subas Das | A♭ Major | 8 | 4B | 143 BPM | ||
| Deba Deba Mahadeba Namah Shivay | Laxmikant Palit | D♭ Major | 9 | 3B | 94 BPM | ||
| Rati Pahile Jagara | Narendra Kumar | B Minor | 8 | 10A | 82 BPM | ||
| Bhaktarali Obbanagi | Puttur Narasimha Nayak | F♯ Major | 7 | 2B | 100 BPM | ||
| Sesha Ichha Mora | Sourav Nayak | D♭ Minor | 8 | 12A | 138 BPM | ||
| Trisakha Bela Patara | Shakti Mishra | B♭ Minor | 9 | 3A | 182 BPM | ||
| Jete Tu Paruchhu De Re Dukha | Sricharan Mohanty | A♭ Minor | 8 | 1A | 146 BPM | ||
| Tipi Tipi Chandanaku | Bibhu Kishore, Gagan Bihari, Sangita Mishra, Ira Mohanty, Sailabhama Mohapatra | D♭ Major | 9 | 3B | 130 BPM | ||
| Maa Deithila Kajala Gara | Tapu Mishra | B♭ Minor | 8 | 3A | 152 BPM | ||
| Hata Thari Mate | Kumar Bapi | F♯ Major | 6 | 2B | 168 BPM | ||
| Dinabandhu Dukhhi | Sonu Nigam | B Major | 8 | 1B | 93 BPM | ||
| Jagannatha Kete Na | Bhikhari Bala | F Major | 5 | 7B | 73 BPM |