Pedro Laurenz, Alberto Podestá's ' "Garúa" was released on its scheduled release date, January 9, 1924. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ¡Ay, Mis Amores!, so we believe that "Garúa" is a single. Based on our statistics, Garúa's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Garúa by Pedro Laurenz, Alberto Podestá is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El choclo | Florindo Sassone Y Su Orquesta | D Major | 2 | 10B | 114 BPM | ||
| Felicia | Adolfo Carabelli | D Minor | 3 | 7A | 126 BPM | ||
| Tabernero | Francisco Fiorentino | D Major | 2 | 10B | 129 BPM | ||
| Al pasar | Ricardo Tanturi y Enrique Campos | F♯ Major | 4 | 2B | 114 BPM | ||
| No Me Extraña | Pedro Laurenz, Juan Carlos Casas | F Minor | 2 | 4A | 122 BPM | ||
| Que Tiempo Aquel de Ayer | Francisco Lomuto, Jorge Omar | F Minor | 2 | 4A | 122 BPM | ||
| La Abandoné Y No Sabía | Ricardo Tanturi, Enrique Campos | F Minor | 2 | 4A | 122 BPM | ||
| Lo Que Vieron Tus Ojos | Francisco Lomuto | F Minor | 2 | 4A | 122 BPM | ||
| Cuando estaba enamorado - Remastered | Francisco Canaro Y Su Orquesta Tipica | E Minor | 3 | 9A | 109 BPM | ||
| Milonga Del Aguatero | Orquesta Tipica Victor | A Minor | 3 | 8A | 111 BPM | ||
| Sentimiento Gaucho | Francisco Canaro, A.Arenas | F Major | 5 | 7B | 125 BPM | ||
| Como Dos Extraños | Pedro Laurenz | F Minor | 2 | 4A | 122 BPM | ||
| Desde el Alma | Color Tango | B Minor | 2 | 10A | 85 BPM | ||
| Loca | Orquesta Juan D' Arienzo | A Minor | 4 | 8A | 129 BPM | ||
| Bajo El Cono Azul | Orquesta Tipica Victor | D♭ Minor | 4 | 12A | 118 BPM | ||
| El Yaguarón | Rodolfo Biagi | G Major | 2 | 9B | 132 BPM | ||
| Comme Il Faut | Orquesta Carlos di Sarli | A Minor | 3 | 8A | 118 BPM | ||
| Viento Norte | Orquesta Tipica Victor | D Minor | 3 | 7A | 118 BPM | ||
| Aquellas Cartas | Orquesta Típica "Osmar Maderna" | G Major | 3 | 9B | 60 BPM | ||
| Negrito | The Alex Krebs Tango Sextet | E Major | 4 | 12B | 98 BPM | ||
| Jueves | Orquesta Juan D' Arienzo | B Minor | 5 | 10A | 126 BPM | ||
| Para Que Te Quiero Tanto | Domingo Federico | F Minor | 2 | 4A | 122 BPM | ||
| Saludos | Domingo Federico | F Minor | 2 | 4A | 122 BPM | ||
| Naranjo en Flor | Pedro Laurenz | F Minor | 2 | 4A | 122 BPM | ||
| Adiós, corazón | Orquesta Fulvio Salamanca, Armando Guerrico | A Minor | 2 | 8A | 124 BPM |