"Haste on, My joys!" by Gerald Finzi, Apollo5 had its release date on February 12, 2021. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Haste on, My joys!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Where All Roses Go by Apollo5. The song's track number on the album is #19 out of 20 tracks. In terms of popularity, Haste on, My joys! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Haste on, My joys! by Gerald Finzi, Apollo5 has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Haste on, My joys! being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Piano Concerto, FP 146: 1. Allegretto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | C Major | 1 | 8B | 81 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| 6 Romances, Op. 6: No. 6, None but the Lonely Heart (Arranged for Violin & Orchestra by Joshua Bell) | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F Minor | 2 | 4A | 98 BPM | ||
| Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | ||
| Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
| Henry V: "Touch her Soft Lips and Part" (1944) | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 98 BPM | ||
| Dies Natalis, Op.8: 1. Intrada | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 82 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| The Girl with Flaxen Hair | Claude Debussy, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
| Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
| God Is Gone Up, Op. 27 No. 2 | Gerald Finzi, Trinity Brass, Asher Oliver, Stephen Layton, The Choir Of Trinity College, Cambridge | E Major | 1 | 12B | 86 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Fair Albion | Patrick Hawes, Prague Symphony Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | C Minor | 1 | 5A | 74 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | ||
| Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM |