Gottlieb Muffat, Mitzi Meyerson's ' "Suite No. 4 in B-Flat Major, R. 109-117: VII. Air, R. 115" was released on its scheduled release date, January 1, 2009. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 23 out of 51. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Suite No. 4 in B-Flat Major, R. 109-117: VII. Air, R. 115 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Suite No. 4 in B-Flat Major, R. 109-117: VII. Air, R. 115 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Sonata for Violin and Continuo in C Minor, BWV 1024: I. Adagio | Anonymous, Isabelle Faust, Kristin von der Goltz, Kristian Bezuidenhout | F♯ Minor | 3 | 11A | 105 BPM | ||
| Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
| Couperin, L: Suite en sol: II. Allemande, G. 82 | Louis Couperin, Jean Rondeau | F Major | 3 | 7B | 74 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Concerto à più instrumenti in D Major, Op. 5, No. 6: I. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 122 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sonatas for Flute & Continuos: Sonata in G Major, H.550: I. Andante | Carl Philipp Emanuel Bach, Bart Naessens, Toshiyuki Shibata | F♯ Major | 1 | 2B | 96 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Dixit Dominus, ZWV 66: Virgam virtutis tuae - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | D Minor | 1 | 7A | 66 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Marais: Suite d'Alcyone: IV. Menuet & Air | Marin Marais, Nikolaus Harnoncourt, Concentus Musicus Wien | E♭ Major | 2 | 5B | 127 BPM | ||
| Componimenti musicali per il cembalo, Suite I in C Major: IV. Air. Dolce | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM | ||
| Pièces de Clavecin in G minor: 9. Gigue de Lully | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| String Sonata à 5 in G Major, Op. 2 No. 1: III. Allegro assai | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 4 | 2B | 116 BPM | ||
| Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | ||
| Ground en do mineur | Henry Purcell, Luc Beauséjour | B Minor | 2 | 10A | 107 BPM | ||
| Soft Music on the Rocks | Henry Purcell, Musicians Of The Globe, Philip Pickett | F♯ Minor | 0 | 11A | 81 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM |