On September 1, 1998, the song "Jupiter" was released by Antoine Forqueray, Scott Ross. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 13 in Forqueray / Dyphly / Bach by Antoine Forqueray, Scott Ross. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Jupiter is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Jupiter by Antoine Forqueray, Scott Ross is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonate pour le violon et le clavecin in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 0 | 3B | 138 BPM | ||
| Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Thomas Dunford, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
| Sonata a tre, Op. 22 (Passacaglio in G minor): Introduzione - Parte I - Parte II - Parte III - Finale | Biagio Marini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 0 | 11A | 159 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Violin Sonata No. 1 in A Major, C. 138: V. Finale | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | D♭ Major | 0 | 3B | 84 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Irish Baroque Orchestra, Monica Huggett, Lisa Beznosiuk, Andreas Helm | F♯ Minor | 1 | 11A | 113 BPM | ||
| La Furstemberg / La Royale | François Lazarevitch, Henry Purcell, François Rebel, François Francoeur, Les Musiciens De Saint-Julien | G Minor | 1 | 6A | 81 BPM | ||
| Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 109 BPM | ||
| Concerto in F Major, HWV 333: V. Allegro ma non troppo | George Frideric Handel, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | F♯ Minor | 1 | 11A | 78 BPM | ||
| Suite pour trois violes: I. Allemande - Transcribed for Solo Harpsichord | Antoine Forqueray, Justin Taylor | B Minor | 4 | 10A | 100 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act III: The Witches's Dance | Henry Purcell, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Pièces De Viole - 2Eme Suite. La Du Breüil | Jordi Savall, Antoine Forqueray | F♯ Major | 0 | 2B | 118 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
| La Couperin (Noblement et marqué) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | D♭ Minor | 4 | 12A | 106 BPM | ||
| Flute Concerto in F Major, RV 434: II. Largo cantabile | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Karel Valter | D♭ Minor | 4 | 12A | 106 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Pieces de viole, Suite No. 1 in D Minor: IV. La Bellemont: Avec Gout et sans lenteur | Antoine Forqueray, Lorenz Duftschmid, Christoph Urbanetz, Thomas Boysen, Johannes Hämmerle | B♭ Minor | 1 | 3A | 68 BPM | ||
| Aria malinconica (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| La Bournonville (mouvement élevé) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | D♭ Minor | 4 | 12A | 106 BPM |