- BPM
- 85
- Key
- D♭ Minor
- Camelot
- 12A
L'empio punito (Excerpts): Pene, pianti e sospiri [Live] by Alessandro Melani, Mauro Borgioni, Reate Festival Baroque Ensemble, Alessandro Quarta Song Details
Alessandro Melani, Mauro Borgioni, Reate Festival Baroque Ensemble, Alessandro Quarta's ' "L'empio punito (Excerpts): Pene, pianti e sospiri [Live]" was released on its scheduled release date, November 20, 2020. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. L'empio punito (Excerpts): Pene, pianti e sospiri [Live]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alessandro Melani, Alessandro Ravasio, Michela Guarrera, Mauro Borgioni, Reate Festival Baroque Ensemble, Alessandro Quarta's "Melani: L'empio punito (Excerpts) [Live]" album is number 13 out of 32. On top of that, Italy appears to be the country where this track was created. L'empio punito (Excerpts): Pene, pianti e sospiri [Live] is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of L'empio punito (Excerpts): Pene, pianti e sospiri [Live] by Alessandro Melani, Mauro Borgioni, Reate Festival Baroque Ensemble, Alessandro Quarta to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
Music Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.817 dB
- Acousticness
- 97%
- Danceability
- 40%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 9%
- Valence
- 46%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messe de Requiem, Kyrie: Kyrie eleison | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Minor | 2 | 2A | 92 BPM | |
 | Purcell: The Fairy Queen, Z. 629, Act II. Song. "One Charming Night" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Geraint Rogers | B Minor | 0 | 10A | 78 BPM | |
 | Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison I | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | |
 | Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | |
 | L'Europa: Aria. Quel nume bambino con forza gigante del ciel le mie (Giove) | Alessandro Melani, Veronika Winter, Kai Wessel, Ekkehard Abele, Das Kleine Konzert, Hermann Max | F Major | 1 | 7B | 109 BPM | |
 | Atys, LWV 53, Prologue: Récit. La saison des frimas peut-elle nous offrir | Jean-Baptiste Lully, Virginie Thomas, David Witczak, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 3 | 4A | 73 BPM | |
 | Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | |
 | Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: VI. Wo bleibet dein Rasen | Johann Ludwig Bach, William Shelton, Michael Mogl, Sebastian Myrus, Capella Sollertia, Johanna Soller | F Minor | 3 | 4A | 73 BPM | |
![Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah! Dans ce bois tranquille et sombre [reprise] by Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew](https://i.scdn.co/image/ab67616d00001e0256ae9d0164d1f69273c8af77) | Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah! Dans ce bois tranquille et sombre [reprise] | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | |
 | Madrigali, Op. 1, Book I: No. 18, Al battitor di bronzo della sua crudellissima dama "Quante volte ti bacio, o bronzo amato" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | |
 | Missa Circumcisionis, ZWV 11: Qui tollis peccata mundi | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F Minor | 3 | 4A | 73 BPM | |
| Missa Circumcisionis, ZWV 11: Sanctus – Pleni sunt caeli – Osanna I | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F Minor | 3 | 4A | 73 BPM | |
 | Infirmata, vulnerata: IV. Cur, quaeso, crudelis | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
| L'Europa: Arioso. Su, su dunque o sonante sovrano hor che gioie (Amore) | Alessandro Melani, Veronika Winter, Kai Wessel, Ekkehard Abele, Das Kleine Konzert, Hermann Max | B Major | 1 | 1B | 79 BPM | |
 | Missa Divi Xaverii, ZWV 12: Domine Deus II | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Major | 3 | 2B | 69 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | |
 | Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | |
 | Sonata a 5 in C Major: III. Canzona | Alessandro Melani, Reinhold Friedrich, L'Arte del mondo, Werner Ehrhardt | B Major | 1 | 1B | 82 BPM | |
 | L’empio punito, Act II Scene 21: Ohimè, che sento (Live) | Alessandro Melani, Auser Musici, Carlo Ipata, Giorgio Celenza, Alberto Allegrezza | D♭ Minor | 1 | 12A | 85 BPM | |
 | Missa brevis in G Major, K. 49: V. Benedictus | Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Sung Min Song, Jonas Müller, Cologne Cathedral Choir, Cologne Chamber Orchestra, Christoph Poppen | G Major | 1 | 9B | 114 BPM | |
 | Ave maris stella | Alessandro Melani, Veronika Winter, Matthias Vieweg, Hans-Jörg Mammel, Franz Vitzthum, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F Major | 1 | 7B | 94 BPM | |
 | Messe de requiem: VI. Agnus Dei | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | G Major | 1 | 9B | 74 BPM | |
| Atys, LWV 53, Act I: Ritournelle et récit. Allons, allons, accourez tous | Jean-Baptiste Lully, Adrien Fournaison, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 3 | 4A | 73 BPM | |
 | Der Herr denket an uns, BWV 196: Aria. Er segnet, die den Herrn furchten (Soprano) | Johann Sebastian Bach, Yumiko Kurisu, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 0 | 3A | 79 BPM | |
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM |
- ISRC
- ITN322019270
- Label
- L-M Records/RCA Records