Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso - Live by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov Song Details

"Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso - Live" by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on October 14, 2022. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Variations on a Theme by Tchaikovsky, Op. 35a (Live) by Anton Arensky, Pavel Lyubomudrov, Metamorphose String Orchestra. The song's track number on the album is #2 out of 9 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso - Live by Anton Arensky, Metamorphose String Orchestra, Pavel Lyubomudrov has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Variations on a Theme by Tchaikovsky, Op. 35a: Var. I. Un poco più mosso - Live being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -24.17 dB
Acousticness: 84%
Danceability: 16%
Energy: 4%
Instrumentalness: 93%
Liveness: 26%
Loudness: 60%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite No. 1, "Orientale": I. Okenstamning: Adagio	Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi	B Minor	1	10A	61 BPM
The Gadfly Suite, Op. 97a (arr. D. Yablonsky): Romance	Dmitri Shostakovich, Dmitry Yablonsky, Russian Philharmonic Orchestra	A Minor	0	8A	175 BPM
13 Preludes, Op. 32: No. 12 in G-sharp Minor: Allegro	Sergei Rachmaninoff, Boris Giltburg	E Major	0	12B	65 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio	Edvard Grieg, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg	D♭ Major	0	3B	92 BPM
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento	Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen	D Major	2	10B	105 BPM
String Octet in C Major, Op. 7 (Version for String Orchestra): I. Très modéré	George Enescu, Tabea Zimmermann, Ensemble Resonanz	E♭ Major	0	5B	78 BPM
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano)	Felix Mendelssohn, Andreas Ottensamer, Yuja Wang	F♯ Minor	0	11A	75 BPM
Sonatine, M. 40: I. Modéré	Maurice Ravel, Hsiang Tu	E Major	3	12B	104 BPM
Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano)	Béla Bartók, Lisa Strauss, Anastasia Rizikov	F Major	0	7B	97 BPM
Lied in E-Flat Major	Fanny Mendelssohn, Heather Schmidt	E Major	1	12B	114 BPM
Concerto for Violin and Cello, Op. 102 in A Minor: II. Andante	Johannes Brahms, Leoš Čepický, Michal Kaňka, Stanislav Vavřínek, Komorní filharmonie Pardubice	D Major	1	10B	96 BPM
Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger	G Minor	0	6A	91 BPM
Five pieces for Two Violins and Piano: III. Elegy- Andantino	Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw	B♭ Minor	0	3A	103 BPM
Forgotten Melodies I, Op. 38: No. 6; Canzona Serenata	Nikolai Medtner, Dmitry Shishkin	B Major	0	1B	69 BPM
Cello Sonata in D Minor, Op. 40: III. Largo	Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva	B♭ Minor	4	3A	0 BPM
Albumblätter, Op. 39: No. 1, Moderato	Hans Sitt, Danae Dörken, Adrien La Marca	C Major	1	8B	61 BPM
Schumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. Trinkaus for Cello & Piano)	Robert Schumann, Taeguk Mun, Chi Ho Han	F Major	0	7B	170 BPM
Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato	Edvard Grieg, Augustin Dumay, Maria João Pires	A Major	5	11B	83 BPM
Adagio in E-Flat Major	Fanny Mendelssohn, Heather Schmidt	E♭ Minor	0	2A	90 BPM
Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II	Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen	E♭ Major	0	5B	174 BPM
6 Romances sans paroles: No. 4, Le calme, CG 2e	Charles Gounod, Warren Lee	D♭ Major	1	3B	73 BPM
Chant du menestrel for Cello and Orchestra, Op. 71	Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin	F♯ Minor	0	11A	87 BPM
No. 1, Prélude. Moderato	César Franck, Jean-Pierre Armengaud	B Minor	0	10A	70 BPM
Contes bleus, No. 2 Op. 122	Cécile Chaminade, Eric Parkin	E♭ Major	1	5B	110 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia	Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh	A♭ Major	0	4B	176 BPM