Rekha Rathod's ' "Akash Mathi Utarya Bhavani Maa" was released on its scheduled release date, July 8, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Randal Maa Ni Chundadi, Vol. 1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Akash Mathi Utarya Bhavani Maa is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Akash Mathi Utarya Bhavani Maa by Rekha Rathod having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goti dene gavdi mari re | Gagan Jethva, Rekha Rathod | F♯ Major | 7 | 2B | 105 BPM | ||
| Babul Ka Ghar | Sharda Sinha | F♯ Minor | 9 | 11A | 120 BPM | ||
| Panido Bharan Me To Jad Jyaaon | Sanjay Bhagi, Seema Mishra | G Major | 5 | 9B | 124 BPM | ||
| Govind Dev Ji Ke Mandir Me - Krishna Bhajan | Satish Dehra, Mukul Soni | G Major | 2 | 9B | 71 BPM | ||
| Kagvad Game Dhol Vage | Hamir Gadhvi, Rekha Rathod | C Major | 8 | 8B | 130 BPM | ||
| Dwar Ke Chhikai | Sharda Sinha | E Major | 7 | 12B | 138 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Me To Sidh Re Jani Ne Tamane | Raghuram Dudharejiya | G Major | 10 | 9B | 111 BPM | ||
| Gunvant Vani | Savidhan Manohare | G Major | 8 | 9B | 165 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Marvada Ni Malan | Rekha Rathod, Prabhat Barot | B♭ Major | 6 | 6B | 109 BPM | ||
| Bhali Kari Guru Data | Ranjeet Lohar | A♭ Minor | 9 | 1A | 82 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Dawa Hath Me Bhalo Ramapeer Re | Prakash Mali | C Minor | 6 | 5A | 101 BPM | ||
| Na Jiab Tohra Bina | Golu Raja, Babita kinar | E Minor | 7 | 9A | 81 BPM | ||
| Lali Lali Bindiya | Madan Rai | D♭ Minor | 4 | 12A | 80 BPM | ||
| Rang Dare Sajana | Kavita Vasnik, Mahadev Hirwani | B Minor | 7 | 10A | 144 BPM | ||
| Chirai Man Ud Jaihain | Radhe Shyam Rasiya | C Major | 10 | 8B | 96 BPM | ||
| Tari Ne Mari Jodi Banevilal - Original | Kamlesh Barot, NA | B♭ Major | 7 | 6B | 126 BPM | ||
| Surapura Dada Ni Aarti | Mita Chauhan | F Major | 8 | 7B | 90 BPM | ||
| Kahe Narhari | Prakash Mali | F♯ Major | 7 | 2B | 117 BPM | ||
| Kanifnathacha Kaval Bhakticha | Shivaji Tupvihare | A Major | 4 | 11B | 114 BPM | ||
| Parevada Jaje Piyune Desh | Rekha Rathod | E♭ Major | 5 | 5B | 123 BPM | ||
| Tere Poojan Ko Hanuman | Gyanendra Sharma | A♭ Major | 7 | 4B | 149 BPM | ||
| Butbhavani Maa Ramva Vela Aavo | Kishor Goswami, Rekha Rathod | C Minor | 6 | 5A | 112 BPM |