Ned Rorem, Emerson String Quartet's 'Streichquartett Nr. 4: Minotaur' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Streichquartett Nr. 4: Minotaur's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emerson String Quartet, Edgar Meyer's "Meyer: Quintet . Rorem: Quartet No.4 - Emerson String Quartet" album is number 5 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Streichquartett Nr. 4: Minotaur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Streichquartett Nr. 4: Minotaur by Ned Rorem, Emerson String Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne 'Homage to John Field', Op. 33 | Samuel Barber, Ruth Slenczynska | A♭ Major | 1 | 4B | 65 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 3, Idylle. Allegro moderato | Cécile Chaminade, Eric Parkin | E Minor | 0 | 9A | 123 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | E Minor | 0 | 9A | 76 BPM | ||
| Our Town, Act I: "Thank You, Emily. Thank You, Mrs. Webb" | Ned Rorem, Matthew DiBattista, Rachele Schmiege, Graham Wright, David Kravitz, Gil Rose | G Major | 3 | 9B | 65 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 1, Alla Valse viennese | Erwin Schulhoff, Leonkoro Quartet | E Minor | 0 | 9A | 76 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Minor | 0 | 9A | 76 BPM | ||
| Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | ||
| Stabat Mater, FP 148: IV. Quae moerebat | Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Major | 1 | 4B | 76 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Spring Music: 2. Toccata | Ned Rorem, Beaux Arts Trio | E Major | 1 | 12B | 77 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | ||
| Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | E Minor | 0 | 9A | 76 BPM | ||
| Gaspard de la nuit: No. 2, Le Gibet. Très lent | Maurice Ravel, Hsiang Tu | E Minor | 0 | 9A | 76 BPM | ||
| Das alte Lied (Arr. Hough) | Henry Love, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
| Les chansons des roses: V. Dirait-on | Morten Lauridsen, Polyphony, Stephen Layton | D♭ Major | 0 | 3B | 132 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 0 | 9A | 76 BPM |