"Spring Music: 2. Toccata" by Ned Rorem, Beaux Arts Trio had its release date on February 1, 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rorem: Spring Music / Baker: Roots II / Rochberg: Piano Trio No. 3". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Spring Music: 2. Toccata is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spring Music: 2. Toccata by Ned Rorem, Beaux Arts Trio having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Evening | Kevin Puts, Renée Fleming, Yannick Nézet-Séguin | E♭ Minor | 0 | 2A | 84 BPM | ||
| Sæverud: Tunes and Dances from Siljustol, Book IV, Op. 25: No. 4, Tone's Cradle Song | Harald Sæverud, Leif Ove Andsnes | B Minor | 0 | 10A | 63 BPM | ||
| Stabat Mater, FP 148: 8. Fac ut ardeat | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Major | 1 | 3B | 160 BPM | ||
| Symphony No. 2: Tranquillo | Bournemouth Symphony Orchestra, Ned Rorem | B♭ Minor | 1 | 3A | 96 BPM | ||
| Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
| Música callada I: No. 6, Lento | Federico Mompou, Stephen Hough | G Major | 0 | 9B | 70 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A♭ Major | 0 | 4B | 96 BPM | ||
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Mercy and Truth Are Met | Ned Rorem, Katherine Glinka, Todd King, University Singers, Yuri McCoy, Brady Knapp | G Major | 1 | 9B | 61 BPM | ||
| Lyadov: 8 Russian Folksongs, Op. 58: No. 6, Cradle Song | Anatoly Lyadov, Andreyev Imperial Russian Orchestra, Dmitri Hochlov | A Minor | 1 | 8A | 113 BPM | ||
| Preludes: Cloches d'angoisse et larmes d'adieu (Bells of Anguish and Tears of Farewell) | Olivier Messiaen, Håkon Austbø | B Minor | 0 | 10A | 76 BPM | ||
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| Symphony No. 1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A♭ Major | 0 | 4B | 96 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | A♭ Major | 0 | 4B | 96 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A♭ Major | 0 | 4B | 96 BPM | ||
| Hahn: Le rossignol éperdu: No. 52, Hivernale (Version for Piano) | Reynaldo Hahn, Shani Diluka | F♯ Minor | 0 | 11A | 137 BPM | ||
| Sing my soul, His wondrous love | Ned Rorem, The Choir of St. Thomas, Fifth Avenue, Gerre Hancock, Judith Hancock | D Minor | 1 | 7A | 63 BPM | ||
| Early In the Morning | Ned Rorem, William Schimmel, Dwayne Burno, Ron Jackson, Lisa Kirchner, Joel Fan, Willie Jones III | A♭ Major | 3 | 4B | 116 BPM |