"To France, Of Course" by Paul Haslinger had its release date on October 18, 2011. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Three Musketeers (Original Motion Picture Soundtrack)". In this album, this song's track order is #22. In terms of popularity, To France, Of Course is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With To France, Of Course by Paul Haslinger having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlas | Jon Opstad, Paul Haslinger | B♭ Major | 4 | 6B | 115 BPM | ||
| End of Beginning | Naomi Chinenye, KOOKA | B Major | 5 | 1B | 100 BPM | ||
| One Man | Redbrows | D♭ Minor | 1 | 12A | 133 BPM | ||
| Monsters Theme | Jon Hopkins | E♭ Minor | 3 | 2A | 109 BPM | ||
| Don't Blow It | Cliff Martinez | A Minor | 2 | 8A | 180 BPM | ||
| Beth | Petri Alanko | B♭ Minor | 3 | 3A | 69 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| It Worked for Awhile / Cam and Joe | Paul Haslinger | F Major | 0 | 7B | 125 BPM | ||
| Countdown | Will Bates, Paul Haslinger | A♭ Major | 5 | 4B | 105 BPM | ||
| Rooftops | Ola Strandh | B♭ Minor | 3 | 3A | 164 BPM | ||
| The Mafia Club | Michael Nielsen, Kaveh Cohen | C Minor | 6 | 5A | 134 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Dreamers and Misfits | Paul Haslinger | D Minor | 1 | 7A | 116 BPM | ||
| Voeld | John Paesano | D Minor | 1 | 7A | 65 BPM | ||
| Unraveling | West Dylan Thordson | F Minor | 1 | 4A | 106 BPM | ||
| Negative Pressure Test | Steve Jablonsky | B♭ Major | 4 | 6B | 120 BPM | ||
| Into the Tunnels | Matt Piersall | G Major | 9 | 9B | 128 BPM | ||
| Joe's Truth | Paul Haslinger | E Minor | 0 | 9A | 169 BPM | ||
| Out Of Blue | Clint Mansell | D Minor | 1 | 7A | 81 BPM | ||
| Not Afraid To Die | Jack Bartman | D Minor | 3 | 7A | 79 BPM | ||
| Sunburnt Country | Jon Opstad, Paul Haslinger | A♭ Major | 5 | 4B | 105 BPM | ||
| The Trial of Solomon Grundy | Mark Isham | G Minor | 1 | 6A | 67 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM |