On November 15, 1996, the song "Akhare Paran Chali Jaai" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Chhod Kalaiya Na by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Akhare Paran Chali Jaai is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Akhare Paran Chali Jaai by Tara Rani is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hari Ri Mori Lagi Lagan | Rajendra Vyas | A♭ Major | 9 | 4B | 147 BPM | ||
| Kaari Wo Tor Maya | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 162 BPM | ||
| Sawai Bhatt Song | Sawai Bhatt | D♭ Major | 8 | 3B | 100 BPM | ||
| Swami Samarth Naamacha | Ajit Kadkade | A Major | 7 | 11B | 116 BPM | ||
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Dumka Mein Jhumka | MANOJ TIWARI | D♭ Minor | 5 | 12A | 86 BPM | ||
| Aavi Rudi Mosala Ni Chab | Lalita Ghodadra | D♭ Major | 4 | 3B | 91 BPM | ||
| Mere Sir Par Sada Tera Hath Rahe | Adhishta Anushka | C Major | 10 | 8B | 145 BPM | ||
| Darr Tere De Naukar | Baba Gulab Singh Ji | F Minor | 8 | 4A | 178 BPM | ||
| Bin Bajiye Tomay Daki je | Md. Azij | F Major | 9 | 7B | 91 BPM | ||
| Phir Raat Kati | Sukhwinder Singh, Sunidhi Chauhan | G Major | 6 | 9B | 130 BPM | ||
| Sithniyan | Madan Bala Sindhu | A♭ Major | 5 | 4B | 99 BPM | ||
| Bhej Mati Panghat | Gopal Rai | A♭ Major | 6 | 4B | 170 BPM | ||
| Khul Gaye Taale | Ram Kumar Lakha | B♭ Major | 8 | 6B | 95 BPM | ||
| Mehandi Rang Lago | Ray Chand, Champa Methi | C Major | 9 | 8B | 100 BPM | ||
| Wang Election Viah Di | Davinder Kohinoor | B♭ Minor | 7 | 3A | 120 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Ahamor Udiyan Tara | UMAKANT BARIK | G Major | 7 | 9B | 158 BPM | ||
| Mangiya Mein Sindura Lagaav | Tara Rani | B♭ Minor | 5 | 3A | 87 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Hath Fer Gaya | Amrik Toofan, Harjit Mattu | D♭ Minor | 7 | 12A | 85 BPM | ||
| Husna De Maalko | Sardool Sikander | A♭ Minor | 6 | 1A | 82 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| KRUSHNA GOVIND GOVIND | NITIN DEVKA-NIDHO DHOLKIA | F♯ Minor | 5 | 11A | 93 BPM | ||
| Been Bajaun Tujhe Bulaun | Mohammed Aziz | D Minor | 8 | 7A | 91 BPM |