Rakesh Kala's ' "Shri Mahaveer Chalisa" was released on its scheduled release date, September 15, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala's "Jain Chalisa Sangrah" album is number 2 out of 12. On top of that, India appears to be the country where this track was created. In terms of popularity, Shri Mahaveer Chalisa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Shri Mahaveer Chalisa by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aarati Dnyanaraja | Kashinath Gorule, Naresh Ranade, Swapnil Sawant, Arjun Patil | D♭ Minor | 7 | 12A | 106 BPM | ||
| Basa Hua Bhagwan Sabke Man Mandir Mein | Prem Bhushan Maharaj | E Minor | 5 | 9A | 135 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Hey Bajrang Bali Hanuman | Jitendra Singh | A Major | 7 | 11B | 124 BPM | ||
| Bada Hai Dayalu Bholenath | Manish Tiwari | F Minor | 7 | 4A | 149 BPM | ||
| Shrinathji Mangla Charan | Chorus | E♭ Major | 3 | 5B | 90 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Yamunaji Ni Aarti | Nidhi Dholakiya | F Major | 5 | 7B | 185 BPM | ||
| Om Hanu Hanumate Namo Namah | Sadhana Shree | D♭ Major | 7 | 3B | 96 BPM | ||
| Holi Khelan Aayo Shyam | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Minor | 4 | 1A | 122 BPM | ||
| He Dukh Bhanjan Maruti Nandan | Rakesh Kala | B Major | 8 | 1B | 90 BPM | ||
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Vandu Sahajananad Rasrup | Artists Of Shree Swaminarayan Gurukul Rajkot Sansthan | F Minor | 8 | 4A | 100 BPM | ||
| Do Akshar Ka Pyara Naam | Vivek Vashisht | B♭ Major | 8 | 6B | 78 BPM | ||
| Mayad Baap | Chaitanya Dadhich | G Minor | 4 | 6A | 93 BPM | ||
| Wo Bharat Desh Hai Mera | Rakesh Kala | E Major | 10 | 12B | 137 BPM | ||
| Hare Krishna Hare Rama | Chetna, Rakesh Kala | D Major | 4 | 10B | 102 BPM | ||
| Chalisa Baba Balak Nath | Rakesh Kala | E Major | 5 | 12B | 91 BPM | ||
| O Maara Meet - Male Version | Parthiv Gohil | G Major | 7 | 9B | 84 BPM | ||
| Sai Chalisa | Rakesh Kala | E Major | 7 | 12B | 88 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| Sach Bata De Bihari Se Pyar Kitna | Prem Bhushan Maharaj | D Major | 5 | 10B | 139 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Hanuman Aarti Superfast | Sahil Solanki, Ravi Khanna, Darpan Agarwal | G Major | 10 | 9B | 122 BPM | ||
| Aalo Darbari Sai Tujya Aalo Darbari | Sai bhakti | D♭ Minor | 8 | 12A | 110 BPM |