"The King of Instruments (English): The Celeste" by Douglas Reed, Michael Barone, Michael Udow had its release date on January 1, 2001. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Douglas Reed, Michael Udow's "In Memoriam William Albright - Albright Organ Music Vol. 1" album is number 12 out of 47. On top of that, United States appears to be the country where this track was created. The King of Instruments (English): The Celeste is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The King of Instruments (English): The Celeste by Douglas Reed, Michael Barone, Michael Udow to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Diagram and Projection: V. The Migration of Butterflies | Alessio Santolini Raggi | D♭ Major | 1 | 3B | 110 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | D Minor | 0 | 7A | 83 BPM | ||
| Sírt-tér for Violoncello and Chamber Orchestra | Márton Illés, Nicolas Altstaedt, Munich Chamber Orchestra, Bas Wiegers | D♭ Major | 1 | 3B | 110 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: III. Allegretto | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 1 | 3B | 110 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XVIII. Stille vor dem Sturm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Major | 3 | 6B | 147 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | D♭ Major | 1 | 3B | 110 BPM | ||
| Five Movements for String Quartet, Op. 5: I. Heftig bewegt | Anton Webern, Leonkoro Quartet | G Major | 2 | 9B | 84 BPM | ||
| Concerto in D Major, BWV 972: II. Larghetto | Peter Steiner, Constanze Hochwartner | A Major | 0 | 11B | 63 BPM | ||
| Riessler & Bach, JS: Intro / Air from the Orchestral Suite No. 3, BWV 1068 (Arr. Riessler for Clarinet Ensemble) | Johann Sebastian Bach, Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Major | 1 | 3B | 110 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | D♭ Major | 1 | 3B | 110 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Variations for Orchestra, Op. 31: Variation VII. Langsam | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Suite in the Old Style: III. Minuet - Arr. for Flugelhorn and Piano by Sergei Nakariakov and Maria Meerovitch | Alfred Schnittke, Sergei Nakariakov, Maria Meerovitch | A Minor | 0 | 8A | 101 BPM | ||
| Turangalîla-Symphonie: IV. Chant d'amour 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Fastnachts-Sinfonie: Tranquillo non troppo sostenuto (1) | Richard Flury, BBC Symphony Orchestra, Paul Mann | D♭ Major | 1 | 3B | 110 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Sonata for Violin and Cello, M. 73: I. Allegro | Maurice Ravel, Yeol Eum Son, Damin Kim, Woongwhee Moon | D♭ Major | 1 | 3B | 110 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | D♭ Major | 1 | 3B | 110 BPM | ||
| Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1) | Kevin Puts, Time For Three | D♭ Major | 1 | 3B | 110 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D♭ Major | 1 | 3B | 110 BPM |