- BPM
- 144
- Key
- A Minor
- Camelot
- 8A
String Quartet No. 2: I. — by Nicholas Sackman, Bochmann String Quartet Song Details
"String Quartet No. 2: I. —" by Nicholas Sackman, Bochmann String Quartet had its release date on April 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Bochmann String Quartet: Sackman / Nicholson by Bochmann String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, String Quartet No. 2: I. —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of String Quartet No. 2: I. — by Nicholas Sackman, Bochmann String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
Music Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.647 dB
- Acousticness
- 97%
- Danceability
- 32%
- Energy
- 13%
- Instrumentalness
- 57%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | String Quartet No. 1, BB 52, Op. 7 (Sz.40): 1. Lento | Béla Bartók, Takács Quartet | G Major | 1 | 9B | 87 BPM | |
 | The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 0 | 8B | 109 BPM | |
 | Hungarian Rhapsody No. 3 in B Flat, S. 244 | Franz Liszt, Roberto Szidon | B♭ Major | 1 | 6B | 80 BPM | |
 | Sextet: IV. — | Nicholas Sackman, Carla Rees, Helen Barker, Emily Sutcliffe, John Barker, Oliver Fitzgerald Lombard, Adam Treverton-Jones | G Major | 4 | 9B | 104 BPM | |
 | Piano Trio in A Minor, M. 67: III. Passacaille. Très large | Maurice Ravel, Smetana Trio | G Major | 2 | 9B | 78 BPM | |
 | The Godfather: Sicilian Pastorale | Nino Rota, Royal Philharmonic Orchestra, José Serebrier | B♭ Minor | 0 | 3A | 112 BPM | |
 | Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | |
 | Fratres | Arvo Pärt, Gidon Kremer, Keith Jarrett | B♭ Major | 0 | 6B | 77 BPM | |
 | Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | |
 | Adams: American Berserk | John Adams, Nicolas Hodges | G Minor | 2 | 6A | 108 BPM | |
 | Concerto for Cello in A Minor, No. 1 Op. 33: Allegro non troppo | Camille Saint-Saëns, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | A Minor | 1 | 8A | 74 BPM | |
 | A Child's Garden of Dreams, Book 1: I. There Is a Desert on the Moon Where the Dreamer Sinks So Deeply into the Ground That She Reaches Hell | David Maslanka, Dallas Wind Symphony, Jerry Junkin | D Minor | 1 | 7A | 142 BPM | |
 | Petrushka, K12 (1911 Version): II. Petrushka's Room | Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | |
 | Waterloo: Andante con moto - Alla marcia | Nino Rota, Gianluigi Gelmetti, Monte-Carlo Philharmonic Orchestra | E♭ Minor | 0 | 2A | 118 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | |
 | Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | |
 | Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | G Major | 4 | 9B | 104 BPM | |
 | Lamentate: I. Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | |
 | La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | |
 | Seis piezas a Violeta (2023 Version for String Orchestra & Piano): I. Preludio Andino | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | G Major | 1 | 9B | 81 BPM | |
 | Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Sheku Kanneh-Mason, Sinfonia Of London, John Wilson | B♭ Major | 1 | 6B | 70 BPM | |
 | Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | |
 | Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | G Major | 4 | 9B | 104 BPM |
- ISRC
- GBFRP9816001
- Label
- L-M Records/RCA Records