Petrushka, K12 (1911 Version): II. Petrushka's Room by Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez Song Details

"Petrushka, K12 (1911 Version): II. Petrushka's Room" by Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez had its release date on January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Stravinsky: Petrouchka; Le Sacre du Printemps". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Petrushka, K12 (1911 Version): II. Petrushka's Room is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Petrushka, K12 (1911 Version): II. Petrushka's Room by Igor Stravinsky, The Cleveland Orchestra, Pierre Boulez having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -23.357 dB
Acousticness: 96%
Danceability: 23%
Energy: 10%
Instrumentalness: 41%
Liveness: 30%
Loudness: 61%
Speechiness: 5%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Eine Alpensinfonie, Op.64, TrV 233: 5. Wanderung neben dem Bache	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	1	4B	103 BPM
Promethée, le poème du feu, Op. 60	Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe	B♭ Minor	1	3A	65 BPM
Symphony No. 6 in D Major, Op. 60: II. Adagio	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	A♭ Major	0	4B	82 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Major	0	8B	71 BPM
Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	G Major	2	9B	166 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	2	9A	117 BPM
Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	74 BPM
Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	F Major	3	7B	125 BPM
Pomp and Circumstance March No. 2 in A Minor, Op. 39/2	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B Minor	2	10A	132 BPM
Phantasy Quintet: II. Scherzo: Prestissimo	Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet	E Minor	1	9A	82 BPM
Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	E♭ Major	0	5B	78 BPM
Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	F♯ Minor	1	11A	128 BPM
Symphony No. 2 in B Minor: IV. Finale	Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra	D Major	1	10B	129 BPM
Valses nobles et sentimentales, M. 61a: VIII. Epilogue. Lent	Maurice Ravel, The Cleveland Orchestra, Pierre Boulez	G Major	0	9B	103 BPM
Tristan und Isolde, WWV 90: Prelude	Richard Wagner, Bayreuth Festival Orchestra, Karl Böhm	A Minor	2	8A	79 BPM
Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version)	Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra	B♭ Minor	7	3A	83 BPM
Les Noces, Première partie, Premier tableau: Chez le marié	Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Susan Parry, Vsevolod Grivnov, Maxim Mikhailov, Daniel Reuss	E♭ Major	1	5B	131 BPM
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato	Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus	B♭ Minor	0	3A	133 BPM
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker	C Major	0	8B	60 BPM
The Rite of Spring, K15, Pt. 1: IV. Spring Rounds	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Minor	0	3A	61 BPM
Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo	Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle	A♭ Minor	0	1A	136 BPM
Eine Alpensinfonie, Op. 64: XXI. Ausklang	Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	1	5B	63 BPM
Symphony No. 1 in B-Flat Minor: IV. Maestoso - Allegro, brioso ed ardentemente - Vivacissimo - Maestoso	William Walton, London Symphony Orchestra, Sir Colin Davis	B♭ Major	2	6B	118 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Petrushka: The Shrove-Tide Fair	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM