Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra's ' "Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version)" was released on its scheduled release date, January 1, 1982. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Stravinsky: Petrushka (1947 Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stravinsky: Petrouchka, Tableau II "Chez Petrouchka": Chez Petrouchka (1947 Version) by Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Major | 6 | 7B | 115 BPM | ||
| Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
| The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Petrouchka - Version 1947 - Scene 2: Part 2 - Petrushka | Igor Stravinsky, Shibley Boyes, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 131 BPM | ||
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| Trio for Oboe, Bassoon and Piano: 3. Rondo | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | D♭ Major | 2 | 3B | 71 BPM | ||
| Eine Alpensinfonie, Op. 64: II. Sonnenaufgang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A Major | 6 | 11B | 68 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Stravinsky: L'Oiseau de feu, Tableau I: Introduction - Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 1 | 8B | 120 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation XII: Trombones & Tuba (Allegro pomposo) | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | B Major | 2 | 1B | 99 BPM | ||
| Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | ||
| Aladdin Suite, Op. 34, FS 89: V. The Marketplace in Isaphan | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | G Major | 2 | 9B | 119 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Jeu de cartes (the Card Game): Troisieme donne [Third Deal]: Alla breve - Valse - Presto - Tempo del principio | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | E♭ Major | 1 | 5B | 131 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: III. Der Anstieg | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 4 | 5B | 69 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 1 | 9A | 77 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg and Schmuÿle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
| Symphony No. 9: IVg. Tempo I. Molto adagio - Live at Philharmonie, Berlin, 1982 | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 82 BPM | ||
| Roman Carnival Overture, Op. 9 (Remastered) | Hector Berlioz, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 77 BPM | ||
| Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft – Trio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 0 | 6A | 91 BPM | ||
| The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Major | 0 | 9B | 132 BPM | ||
| Masquerade Suite: IV. Romance | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | B♭ Minor | 2 | 3A | 124 BPM |