"Wolf-Ferrari: La dama boba - マドンナの宝石" by Ermanno Wolf-Ferrari, ウィリアム・ジョーンズ, コンセル・ソンドール had its release date on August 19, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 人気クラシック名曲50選! モーツァルト、ベートーベン、バッハ等の有名曲を厳選!, so we believe that "Wolf-Ferrari: La dama boba - マドンナの宝石" is a single. Wolf-Ferrari: La dama boba - マドンナの宝石 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wolf-Ferrari: La dama boba - マドンナの宝石 by Ermanno Wolf-Ferrari, ウィリアム・ジョーンズ, コンセル・ソンドール is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | E Minor | 1 | 9A | 95 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: VII. Variation VI Andantino | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 2 | 10B | 90 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 5 in E Minor, Poco allegro | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | F♯ Minor | 8 | 11A | 130 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) | Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic | C Major | 1 | 8B | 92 BPM | ||
| Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | G Minor | 1 | 6A | 79 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Sinfonietta, JW VI/18: IV. Allegretto | Leoš Janáček, Czech Philharmonic, Karel Ančerl | A♭ Major | 2 | 4B | 154 BPM | ||
| Idillio - Concertino in A Major, Op. 15: III. Adagio | Ermanno Wolf-Ferrari, Massimo Belli, Orchestra da Camera 'Ferrucio Busoni', Fabien Thouand, Valentino Zucchiatti | A Minor | 0 | 8A | 52 BPM | ||
| Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | E Minor | 1 | 9A | 95 BPM | ||
| Idillio - Concertino in A Major, Op. 15: II. Scherzo - Presto | Ermanno Wolf-Ferrari, Massimo Belli, Orchestra da Camera 'Ferrucio Busoni', Fabien Thouand, Valentino Zucchiatti | E♭ Minor | 2 | 2A | 121 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | E Minor | 1 | 9A | 95 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
| Swan Lake, Op. 20, TH 12, Act I: No. 5c, Pas de deux: Valse | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | B♭ Major | 1 | 6B | 96 BPM | ||
| Suite-concertino in F Major, Op. 16: III. Canzone. Andante cantabile | Ermanno Wolf-Ferrari, Paolo Carlini, Orchestra di Padova e del Veneto, Zsolt Hamar | D Major | 0 | 10B | 98 BPM | ||
| Ruy Blas Overture, Op. 95, MWV P15 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
| Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| By The Sleepy Lagoon | Eric Coates, East of England Orchestra, Malcolm Nabarro | A Minor | 1 | 8A | 73 BPM |