"I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo)" by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic had its release date on April 20, 2018. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 22 in Ermanno Wolf-Ferrari: I Quatro Rusteghi by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko. In terms of popularity, I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenata for Strings: III. Scherzo - Presto | Ermanno Wolf-Ferrari, Massimo Belli, Orchestra da Camera 'Ferrucio Busoni', Fabien Thouand, Valentino Zucchiatti | A♭ Major | 2 | 4B | 136 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Minor | 1 | 3A | 81 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | B♭ Minor | 1 | 3A | 81 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Serenade for String Orchestra in E-Flat Major: II. Andante | Ermanno Wolf-Ferrari, Kammerorchester Berlin, Heinz Rögner | D Major | 1 | 10B | 91 BPM | ||
| Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
| Symphony No. 7 in E Minor: IVb. Figure 197 | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B♭ Minor | 1 | 3A | 81 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | B♭ Minor | 1 | 3A | 81 BPM | ||
| Tosca, Act II: Vissi d'arte (Arr. For orchestra) | Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 78 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Bizet: Carmen, WD 31, Act 2: Entr'acte | Georges Bizet, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise | E♭ Major | 0 | 5B | 71 BPM | ||
| Serenade in E-Flat Major: I. Allegro | Ermanno Wolf-Ferrari, Hr-sinfonieorchester, Alun Francis | C Minor | 0 | 5A | 122 BPM | ||
| Peter and the Wolf, Op. 67: Early One Morning, Peter Opened the Gate and Went out into the Big Green Meadow | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Dolly, Op. 56: 6. Le pas Espagnol | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture | Hector Berlioz, Sir Colin Davis, London Symphony Orchestra | C Major | 2 | 8B | 63 BPM | ||
| Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Widersacher | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | F Minor | 0 | 4A | 124 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
| Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM |