"I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo)" by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic had its release date on April 20, 2018. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 22 in Ermanno Wolf-Ferrari: I Quatro Rusteghi by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko. In terms of popularity, I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) by Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Respighi: Trittico botticelliano: III. La Nascita di Venere | Ottorino Respighi, Hugh Wolff, Saint Paul Chamber Orchestra | D♭ Minor | 1 | 12A | 112 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Suppé: Dichter und Bauer: Overture (Andante maestoso - Allegro strepitoso) | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 2 | 6B | 78 BPM | ||
| Symphony No. 1, GMW 11: IVc. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Sarasate: Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | C Major | 0 | 8B | 39 BPM | ||
| Serenata for Strings: III. Scherzo - Presto | Ermanno Wolf-Ferrari, Massimo Belli, Orchestra da Camera 'Ferrucio Busoni', Fabien Thouand, Valentino Zucchiatti | A♭ Major | 2 | 4B | 136 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Friedrich Haider, WDR Rundfunkorchester Köln | B Minor | 1 | 10A | 99 BPM | ||
| I quatro rusteghi, Atto II, Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) | Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Daniela Degennaro, Silvia Beltrami, Romina Casucci, Mirko Quarello, Mihnea Lamatic | C Major | 1 | 8B | 92 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Symphony No. 5, Op. 107, "Reformation": III. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | G Minor | 0 | 6A | 72 BPM | ||
| Symphony No. 5 in D Minor, Op. 107, MWV N 15 - "Reformation": IIIa. Andante - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 0 | 6A | 71 BPM | ||
| Il segreto di Susanna: Guardala! Con quell'aria ingenua e franca | Ermanno Wolf-Ferrari, Ángel Ódena, Judith Howarth, Oviedo Filarmonía, Friedrich Haider | B♭ Major | 2 | 6B | 75 BPM | ||
| Idillio - Concertino in A Major, Op. 15: III. Adagio | Ermanno Wolf-Ferrari, Massimo Belli, Orchestra da Camera 'Ferrucio Busoni', Fabien Thouand, Valentino Zucchiatti | A Minor | 0 | 8A | 52 BPM | ||
| I quatro rusteghi, Atto III, Scena 2: “Siori gentilissimi grazie del bon amor” (Felice, Lunardo, Simone, Cancian) | Ermanno Wolf-Ferrari, Royal Liverpool Philharmonic Orchestra, European Opera Centre, Vasily Petrenko, Ana James, Mihnea Lamatic, Mirko Quarello, Roman Ialcic | C Major | 1 | 8B | 92 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | G Major | 0 | 9B | 59 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Symphony No. 6 in B Minor, Op. 54: III. Presto | Dmitri Shostakovich, Estonian Festival Orchestra, Paavo Järvi | C Major | 2 | 8B | 158 BPM | ||
| Wolf-Ferrari: I gioielli della Madonna, Act 2: Serenade, "Aprila, bella, la fenestrella" (Rafaele) | Ermanno Wolf-Ferrari, Tito Gobbi, Orchestra Del Teatro Dell'Opera Di Roma, Oliviero de Fabritiis | D Major | 4 | 10B | 102 BPM |