Paul Robeson's 'Traditional: Scandalize My Name' had a release date set for July 18, 2008. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Traditional: Scandalize My Name's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #4. Traditional: Scandalize My Name is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Traditional: Scandalize My Name by Paul Robeson having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| Concerto for Flute and Harp in C Major, KV 299: II. Andantino | Wolfgang Amadeus Mozart, Anna Besson, Reinoud Van Mechelen, A Nocte Temporis, Clara Izambert | F Major | 1 | 7B | 117 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| La légende de Legrand (The Summer Knows/The Windmills of Your Mind/Les parapluies de Cherbourg) | Alan Bergman / Marilyn Bergman / Michel Jean Legrand, Quatuor Rhapsodie | D Minor | 3 | 7A | 142 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | F Minor | 0 | 4A | 70 BPM | ||
| Piano Concerto in One Movement: Andantino | Florence Beatrice Price, Jeneba Kanneh-Mason, Chineke! Orchestra, Leslie Suganandarajah | D Minor | 1 | 7A | 129 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Montgomery Variations: II. Prayer Meeting | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 88 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 2 in G Major, Tempo di minuetto. Grazioso | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | G Major | 1 | 9B | 101 BPM | ||
| Méditation in F Major, Op. 33 | Mel Bonis, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 86 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Nocturno, Op. 7 | Franz Strauss, Xiao-Ming Han, Rainer Müller-van Recum, Marc Engelhardt, Dora Bratchkova, Peter Schmalfuss | B♭ Major | 1 | 6B | 112 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIa. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Petit Quatour pour Saxophones - Arr. Rainer Schottstadt: 2. Cantilène | Jean Françaix, The Clarinotts | F Minor | 0 | 4A | 134 BPM | ||
| Symphony No. 1, GMW 11: IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 1 | 11B | 81 BPM | ||
| My Lord, What a Mornin' | Quintessential Vocal Ensemble, Harry Burleigh | D Major | 0 | 10B | 96 BPM | ||
| Over the Rainbow (Arr. for String Quartet by William Ryden) | Harold Arlen, Miró Quartet | C Major | 1 | 8B | 84 BPM | ||
| Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
| Flute Quartet in D major, K.285: II. Adagio | Wolfgang Amadeus Mozart, Nadia Labrie, Antoine Bareil, Isaac Chalk, Benoît Loiselle | C Major | 0 | 8B | 55 BPM | ||
| Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM |