On January 24, 2003, the song "Bada U Dhaat Kailas Re" was released by Tripti Shakya. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Radhe Shyam Rasiya, Tripti Shakya's "Ghayal Dil" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Bada U Dhaat Kailas Re's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bada U Dhaat Kailas Re by Tripti Shakya to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Mithe Ras Se Bharyo Re Radha Rani Lage | Asif Jeriya, Ami Joshi | D♭ Major | 5 | 3B | 90 BPM | ||
| Gayatri Mantra | Tripti Shakya, Pradeep Singh | E♭ Major | 6 | 5B | 137 BPM | ||
| Maiya Tere Darbar Ye Diwane Aaye Hai | Shahnaz Akhtar | B♭ Minor | 8 | 3A | 102 BPM | ||
| Yadi Nath Ka Naam Dayanidhi Hai | Devendra Pathak | F♯ Minor | 6 | 11A | 151 BPM | ||
| Mera Shyam aa Jata Mere Samne | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Ab Sop Diya Is Jeevan Ka Sab Bhar Tumhare Hathon Mein | Padma Jha | D♭ Major | 5 | 3B | 95 BPM | ||
| Dwadash Jyotirlinga | Pujya Bhaishree Rameshbhai Ojha | A Major | 3 | 11B | 111 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Radhe Govinda Krishna | Trisha Parui | A♭ Major | 7 | 4B | 150 BPM | ||
| Doob Chalo din Mai doob Chalo | Rakesh Tiwari | A♭ Major | 6 | 4B | 78 BPM | ||
| Hari Naam Nahi to Jina Kya | Devendra Pathak | A♭ Minor | 7 | 1A | 96 BPM | ||
| Mujhe Tumne Malik Bahut De Diya Hai Tera Sukriya Hai | Pujya Rajan Ji Official | B♭ Minor | 5 | 3A | 129 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| NAGRI HO AYODHYA SI RAGHUKUL SA GHARANA HO | Tripti Shakya | G Major | 7 | 9B | 88 BPM | ||
| Aa Maa Aa Tujhe Dil Ne Pukara | Babla Mehta | A Minor | 7 | 8A | 119 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Radha Rani - Bhajan Mashup | Dhruv Sharma, Swarna Shri | D Major | 3 | 10B | 90 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Lakshman Sa Bhai Ho | Tripti Shakya | E Major | 4 | 12B | 94 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Mere Bhole Se Bhole Baba | Shahnaaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Ram Aayenge To Angana Sajaungi | Jaya Tiwari | C Major | 3 | 8B | 80 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM |