"Will You Love Me Tomorrow?" by Dianne Reeves had its release date on January 1, 1997. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 10 in the song's album "That Day . . .". In this album, this song's track order is #1. In terms of popularity, Will You Love Me Tomorrow? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Will You Love Me Tomorrow? by Dianne Reeves having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Young To Go Steady | Sara Gazarek | A♭ Major | 1 | 4B | 110 BPM | ||
| Everything I Have Is Yours | Kevin Mahogany | G Major | 2 | 9B | 131 BPM | ||
| Our Love Is Here To Stay | Natalie Cole | C Major | 1 | 8B | 69 BPM | ||
| Pieces | Pieces Of A Dream | A Minor | 4 | 8A | 85 BPM | ||
| Meant for You | Debra Laws | C Major | 5 | 8B | 171 BPM | ||
| At Last | Lou Rawls, Dianne Reeves | G Major | 3 | 9B | 74 BPM | ||
| In A Sentimental Mood | Dianne Reeves | B Minor | 0 | 10A | 91 BPM | ||
| Every Time We Say Goodbye | Silje Nergaard | B♭ Major | 2 | 6B | 98 BPM | ||
| Suzanne | Dianne Reeves | D Major | 3 | 10B | 123 BPM | ||
| Song for You | Rodney Franklin | C Minor | 4 | 5A | 121 BPM | ||
| Superstition | Nnenna Freelon | D Major | 4 | 10B | 94 BPM | ||
| My Foolish Heart | Anthony Strong | B♭ Major | 2 | 6B | 81 BPM | ||
| I Walk A Little Faster | Nicki Parrott | F Major | 1 | 7B | 117 BPM | ||
| Don't Be Something You Ain't | Erin Boheme | A Minor | 2 | 8A | 113 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| Darn That Dream | Poncho Sanchez, Dianne Reeves | C Major | 2 | 8B | 143 BPM | ||
| So You Say (Esquinas) | The Manhattan Transfer | B Minor | 5 | 10A | 149 BPM | ||
| Better Days (Palo Alto Session) | Dianne Reeves | A♭ Major | 4 | 4B | 134 BPM | ||
| Call On Me | Khani Cole | F♯ Major | 5 | 2B | 88 BPM | ||
| What a Difference a Day Made | Suss von Ahn | C Minor | 3 | 5A | 96 BPM | ||
| Place To Hide | Kandace Springs | A Major | 4 | 11B | 93 BPM | ||
| Makin' Whoopee! (with Rickie Lee Jones) | Dr. John, Rickie Lee Jones | F Minor | 5 | 4A | 88 BPM | ||
| Don't Go to Strangers | Tierney Sutton | E♭ Major | 1 | 5B | 112 BPM | ||
| Yes, I'm Ready | Dee Dee Bridgewater | F Minor | 6 | 4A | 147 BPM | ||
| The Scientist | Joe McBride | F Major | 3 | 7B | 76 BPM |