J. Richardson, The Artillery, Rue's ' "Love Song (feat. Artillery & Rue)" was released on its scheduled release date, January 23, 2015. Love Song (feat. Artillery & Rue) is explicit and may not be suitable for children. With the duration being about 4:20, this song is close to the average duration of a typical track. Because this song is the only song in Love Song (feat. Artillery & Rue) and no other songs are present in the album, we classify this track as a single. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Love Song (feat. Artillery & Rue)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Love Song (feat. Artillery & Rue) by J. Richardson, The Artillery, Rue to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 2: Never mind the why and wherefore | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, Jeffrey Skitch, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 137 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Carmen, Act III: Carreau! Pique!... La mort! | Georges Bizet, Aigul Akhmetshina, Elisabeth Boudreault, Kezia Bienek, Royal Philharmonic Orchestra, Daniele Rustioni | F Major | 1 | 7B | 94 BPM | ||
| "La tarántula e un bicho" | Jerónimo Giménez, Anna Netrebko | C Major | 4 | 8B | 108 BPM | ||
| Time To Say Goodbye - New Vocal | Katherine Jenkins, The Czech Film Orchestra, James Banbury | F Major | 3 | 7B | 180 BPM | ||
| Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Marilyn Horne, Samuel Ramey, Enzo Dara, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
| La Verbena de la Paloma, Act I: Nocturno (Sereno, Guardia 1, Guardia 2) | Tomás Bretón, Enrique Baquerizo, Juan Jesùs Rodriguez, Alberto Rios, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 1 | 8B | 83 BPM | ||
| Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
| H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
| La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 85 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
| Don Giovanni, K. 527, Act II: No. 16, Deh vieni alla finestra | Wolfgang Amadeus Mozart, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 150 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D Major | 2 | 10B | 85 BPM | ||
| Giménez: La tempranica: Canción. "Sierras de Granada" | Geronimo Gimenez, Victoria de los Ángeles, Coro de Cámara del Real, Rafael Frühbeck de Burgos, Orquesta Nacional De España | D Major | 1 | 10B | 75 BPM | ||
| The Mikado / Act 1: 8. As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
| La Verbena de la Paloma: Preludio | Tomás Bretón, Ataúlfo Argenta | E Major | 3 | 12B | 105 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| With cat-like tread | Arthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | D Major | 2 | 10B | 118 BPM | ||
| Wagner: Lohengrin, Act 1: "Durch Gottes Sieg ist jetzt dein Leben mein" (Lohengrin, Henry, Elsa, Frederick, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin | A♭ Major | 3 | 4B | 106 BPM | ||
| Strauss II, J: Geschichten aus dem Wienerwald, Op. 325 | Johann Strauss II, Wiener Philharmoniker, Rudolf Kempe | G Minor | 2 | 6A | 102 BPM |