"Turandot: Nessun dorma" by Johan Botha had its release date on January 22, 2010. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 43 in Essential - Classical Collection by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Turandot: Nessun dorma is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turandot: Nessun dorma by Johan Botha is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Walküre, Act I Scene 3: War Wälse dein Vater, und bist du ein Wälsung | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | E Major | 3 | 12B | 82 BPM | ||
| Die Walküre, Act III Scene 3: So tatest du, was so gern – Deinen leichten Sinn | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 1 | 1A | 79 BPM | ||
| Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, David Wilson-Johnson | A♭ Major | 2 | 4B | 74 BPM | ||
| Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer | Gustav Mahler, Christian Gerhaher, Kent Nagano, Orchestre Symphonique de Montréal | E♭ Major | 0 | 5B | 80 BPM | ||
| Mass in C Major, Op. 86: VI. Agnus Dei | Ludwig van Beethoven, Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles, John Mark Ainsley | C Major | 1 | 8B | 78 BPM | ||
| Die Walküre, WWV 86B / Erster Akt: "Müd am Herd fand ich den Mann" | Richard Wagner, Gundula Janowitz, Jon Vickers, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 170 BPM | ||
| Il tabarro, SC 85: T'ho colto! | Giacomo Puccini, Johan Botha, Wolfgang Koch, Elza Van Den Heever, Vienna Radio Symphony Orchestra, Bertrand de Billy | C Minor | 2 | 5A | 135 BPM | ||
| Tosca / Act II: "Sciarrone: che dice il cavalier?" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 75 BPM | ||
| Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: III. Infirma nostri corporis I | Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Chor Der Staatsoper Berlin, Rundfunkchor Berlin | A♭ Major | 2 | 4B | 167 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VIII. Gloria sit Patri Domino | Gustav Mahler, Twyla Robinson, Erin Wall, Michelle DeYoung, Simone Schroder, Johan Botha, Hanno Müller-Brachmann, Robert Holl, Staatskapelle Berlin, Pierre Boulez, Rundfunkchor Berlin, Chor Der Staatsoper Berlin, Aurelius Sangerknaben Calw | E Major | 1 | 12B | 68 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Infirma nostri corporis | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 1 | 5B | 87 BPM | ||
| Ariadne auf Naxos, Op. 60, TrV 228a: Circe, Circe, kannst du mich hören? (Live) | Richard Strauss, Johan Botha, Soile Isokoski, Valentina Naforniță, Rachel Frenkel, Olga Bezsmertna, Vienna State Opera Orchestra, Christian Thielemann | C Major | 1 | 8B | 132 BPM | ||
| Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
| Il tabarro, SC 85: Hai ben ragione! | Giacomo Puccini, Johan Botha, Vienna Radio Symphony Orchestra, Bertrand de Billy | C Minor | 2 | 5A | 135 BPM | ||
| German Requiem, Op. 45: Herr, lehre doch mich | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
| German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
| Verdi: Messa da Requiem: V. Mors stupebit | Giuseppe Verdi, Claudio Abbado, Julian Konstantinov, Berliner Philharmoniker | F Major | 0 | 7B | 117 BPM | ||
| Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | ||
| Se quel guerrier io fossi... Celeste Aida | Giuseppe Verdi, Johan Botha, Paolo Carignani | C Minor | 2 | 5A | 103 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
| Tiefland: Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso) | Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy | B Minor | 2 | 10A | 96 BPM | ||
| Le carnaval romain, Overture, H. 95 | Hector Berlioz, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 83 BPM |