F. シューベルト, 工藤重典(フルート), カール=アンドレアス・コリー(ピアノ)'s '「しぼめる花」の主題による変奏曲 作品160 Var. Ⅵ' had a release date set for September 25, 2007. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 「しぼめる花」の主題による変奏曲 作品160 Var. Ⅵ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in シューベルト:「しぼめる花」の主題による変奏曲, so we believe that "「しぼめる花」の主題による変奏曲 作品160 Var. Ⅵ" is a single. In terms of popularity, 「しぼめる花」の主題による変奏曲 作品160 Var. Ⅵ is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「しぼめる花」の主題による変奏曲 作品160 Var. Ⅵ by F. シューベルト, 工藤重典(フルート), カール=アンドレアス・コリー(ピアノ) is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Keyboard Concertos, Op. 3: No. 6 in E-Flat Major: III. Rondo. Allegro (Performed on Harp) | Johann Samuel Schroeter, Silke Aichhorn, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | E♭ Major | 2 | 5B | 90 BPM | ||
| Reflection No. 2 | Camille Thomas, Julien Brocal | D♭ Major | 0 | 3B | 73 BPM | ||
| Xàfec de Llum I Tenebres: III. Quizás la Luz | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Melartin : Berceuse, Op. 44 No. 4 (Kehtolaulu) | Erkki Melartin, Kaija Saarikettu, Raija Kerppo | A♭ Major | 0 | 4B | 93 BPM | ||
| 3 Romanzen, Op. 22: No. 1, Andante molto (Arr. For cello and piano) | Clara Schumann, Karine Georgian, Jan Willem Nelleke | D♭ Major | 1 | 3B | 173 BPM | ||
| 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| アヴェ・マリア | F. シューベルト, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Major | 0 | 6B | 170 BPM | ||
| Passione amorose: III. Allegretto (Orchestrated by G. Jardanyi) | Giovanni Bottesini, Gergely Jardanyi, Odon Racz, Budapest Chamber Symphony, János Ács | A Major | 0 | 11B | 179 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | D♭ Major | 0 | 3B | 73 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | D♭ Major | 0 | 3B | 73 BPM | ||
| Ravel : Pavane Pour Une Infante Defunte 라벨 : 죽은 왕녀를 위한 파반느 | Ensemble DITTO | G Major | 0 | 9B | 114 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): III. Moderato - Allegro | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Beethoven: Violin Concerto, Op. 61 in D Major: II. Larghetto | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | G Major | 0 | 9B | 92 BPM | ||
| Andante et Allegro pour violoncelle et piano in E Major: I. Andante | Reynaldo Hahn, Dania Tchalik, Marc Tchalik | D♭ Major | 0 | 3B | 73 BPM | ||
| Lullaby | Rebecca Clarke, Geneviève Laurenceau, Jean-Frédéric Neuburger | D♭ Major | 0 | 3B | 73 BPM | ||
| Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Around the World (From "Around the World in 80 Days") | Yoko Ara, Takehiko Yamada | E♭ Minor | 1 | 2A | 94 BPM | ||
| Divertissement Grec | Philippe Gaubert, Katrina Penman, Sara Santirso, Beatriz Mier | A Minor | 1 | 8A | 139 BPM | ||
| Violin Sonata No. 1 in D Minor, Op. 1: III. Adagio | Max Reger, Ulf Wallin, Roland Pöntinen | B♭ Major | 0 | 6B | 98 BPM | ||
| Romeo and Juliet, Op. 64 (Orch. by Jean-Pierre Haeck): I. Introduction | Sergei Prokofiev, Adrien La Marca, Liège Royal Philharmonic, Christian Arming | D Major | 2 | 10B | 71 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 5, Op. 62: Lied ohne Worte No. 25 in G Major, Op. 62, No. 1 [arr. For violin and piano] | Felix Mendelssohn, Axel Strauss, Cord Garben | G Major | 1 | 9B | 93 BPM | ||
| Holberg Suite, Op. 40: I. Präludium | Edvard Grieg, Ivana Gavrić | G Major | 2 | 9B | 74 BPM | ||
| 3 Romances, Op. 22: I. Andante molto | Clara Schumann, Cédric Tiberghien, Alina Ibragimova | A Major | 1 | 11B | 87 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM |