On January 1, 1964, the song "Subhanallah Haseen Chehra" was released by Mohammed Rafi. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in O. P. Nayyar, S.H. Bihari, Qamar Jalalabadi's "Kashmir Ki Kali" album is number 2 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Subhanallah Haseen Chehra's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Subhanallah Haseen Chehra by Mohammed Rafi to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Wada Humse Kiya | Mubarak Begum, Kalyanji-Anandji | E♭ Minor | 6 | 2A | 91 BPM | ||
| Gun Guna Rahe Hai Bhanvare | Asha Bhosle, Mohammed Rafi, S. D. Burman | B Major | 4 | 1B | 104 BPM | ||
| Tarari Tarari | Suraiya, Mohammed Rafi | A♭ Major | 2 | 4B | 177 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Chale Aao... Chale Aao | Salma Agha, Manhar Udhas | D Major | 6 | 10B | 98 BPM | ||
| Door Hai Kinara | Manna Dey | A♭ Major | 2 | 4B | 97 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Kaisi Yeh Judai Hai | Usha Mangeshkar, Shailendra Singh | G Major | 5 | 9B | 75 BPM | ||
| Tu Pyar Hai Kisi Aur Ka | Bhushan Dua | A♭ Minor | 9 | 1A | 104 BPM | ||
| Main Ne Shayad Tumhen Pehle Bhi | Mohammed Rafi, Sahir Ludhianvi | F Major | 3 | 7B | 102 BPM | ||
| O Duniya Ke Rakhawaale | Naushad, Mohammed Rafi | D Minor | 5 | 7A | 92 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Tere Naina Talash Karen | Manna Dey, S. D. Burman | A♭ Minor | 6 | 1A | 112 BPM | ||
| Karoge Yaad To | Bhupinder Singh | A Minor | 4 | 8A | 92 BPM | ||
| Palkon Ke Peechhe Se | Lata Mangeshkar, Mohammed Rafi, S. D. Burman | F Major | 5 | 7B | 95 BPM | ||
| O Haseena Zulfonwale Jane Jahan | Asha Bhosle, Mohammed Rafi, R. D. Burman | C Major | 6 | 8B | 93 BPM | ||
| Ni Sultana Re | Lata Mangeshkar, Mohammed Rafi, R. D. Burman | D Major | 3 | 10B | 88 BPM | ||
| Aye Zindagi Gale Lagaa Le | Ilaiyaraaja, Suresh Wadkar | F♯ Minor | 4 | 11A | 159 BPM | ||
| Khuda Kare Ke Mohabbat Mein Yeh Maqam Aaye | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Aise Tere Baghair Jiye Ja Rahe Hain Hum | Chandan Dass | F Minor | 6 | 4A | 111 BPM | ||
| Aa Bhi Jao Zindagi Kam Hai | Chandan Dass | E Minor | 4 | 9A | 95 BPM | ||
| Hamse Ka Bhool Huyi | Anwar Hussain | A Major | 3 | 11B | 107 BPM |