On December 31, 1961, the song "Devaa Hara Hara - Jaya Mahadeva Shambo" was released by Pithapuram Nageswara Rao, Vempati Sadasivabrahmam, G Venugopal. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Usha Parinayam (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Devaa Hara Hara - Jaya Mahadeva Shambo's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Devaa Hara Hara - Jaya Mahadeva Shambo by Pithapuram Nageswara Rao, Vempati Sadasivabrahmam, G Venugopal having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vana Mahosthavam | Jikki, Jayalakshmi, Pithapuram Nageswara Rao | E♭ Major | 8 | 5B | 104 BPM | ||
| Yennamma Yennamma | G. Varalakshmi, Pithapuram Nageswara Rao | G Minor | 3 | 6A | 96 BPM | ||
| Appan Enna | Malaysia Vasudevan | A Major | 4 | 11B | 124 BPM | ||
| My Dear Thulasammakka | Pithapuram Nageswara Rao | F Major | 3 | 7B | 103 BPM | ||
| Manadalli Aaseya Bare | Dr.Rajkumar | F Major | 6 | 7B | 197 BPM | ||
| Adhigo Gowthami | G. Anand, M. Sharada | C Major | 5 | 8B | 77 BPM | ||
| Po Po Pothe Po | Mano | E Minor | 8 | 9A | 138 BPM | ||
| Ammaavum Neeye | M. S. Rajeswari | A♭ Minor | 5 | 1A | 96 BPM | ||
| Mouname Nee Bhaasha | M. Balamuralikrishna | G Major | 7 | 9B | 87 BPM | ||
| Thoura Sukhadolagenna | Ratnamala Prakash | C Major | 6 | 8B | 81 BPM | ||
| Ponnenna (From "Alaigal") | Jayachandran, M. S. Viswanathan, Kavingar Kannadasan | F Major | 4 | 7B | 79 BPM | ||
| Othippoh | Mano | F♯ Minor | 5 | 11A | 81 BPM | ||
| Nene Radhanoyi | Bhanumathi Ramakrishna | G Major | 5 | 9B | 151 BPM | ||
| Shiridi Vasa | Ramana | C Minor | 8 | 5A | 100 BPM | ||
| Yennarugae Neeyirundhal | P. B. Sreenivas | B♭ Major | 5 | 6B | 114 BPM | ||
| Srimathi Gariki | V. Ramakrishna, P. Susheela | C Minor | 8 | 5A | 80 BPM | ||
| Rama Neela Megha Syama | Kalyanam Raghuramaiah | B♭ Major | 7 | 6B | 138 BPM | ||
| Yevaro Raavaali | P. Susheela | B♭ Major | 6 | 6B | 101 BPM | ||
| Yellaru Maduvudu | Dr. Rajkumar, T.G. Lingappa, Kanaka Daasaru | F Minor | 5 | 4A | 156 BPM | ||
| Neenillade Nanagenide - Live | Ratnamala Prakash | B♭ Minor | 7 | 3A | 100 BPM | ||
| Nee Heenga Nodabeda | Rajkumar Bharathi | C Minor | 5 | 5A | 135 BPM | ||
| Olida Swaragalu | RAGHAVENDRA RAJKUMAR, Madhusudan, Kusuma | C Major | 5 | 8B | 139 BPM | ||
| Manava / Dialogue : Santrigal Yalan Romba (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | F Minor | 5 | 4A | 111 BPM | ||
| Shokaina Bala | Madhavapeddi Sathyam, Pithapuram Nageswara Rao, Arudra | D Major | 7 | 10B | 120 BPM | ||
| Hendathiyobbalu | Mysore Ananthaswamy | F Minor | 7 | 4A | 198 BPM |