- BPM
- 63
- Key
- D♭ Major
- Camelot
- 3B
Il templario, Act I Scene 2: Te Rebecca il cavaliero qual sua schiava (Cedrico, Rebecca) by Otto Nicolai, Kouta Rasanen, Stanley Jackson, Judith Kuhn, Andreas Kindschuh, Hans Christoph Begemann, Andre Riemer, Tiina Penttinen, Chor der Oper Chemnitz, Robert Schumann Philharmonie, Frank Beermann Song Details
"Il templario, Act I Scene 2: Te Rebecca il cavaliero qual sua schiava (Cedrico, Rebecca)" by Otto Nicolai, Kouta Rasanen, Stanley Jackson, Judith Kuhn, Andreas Kindschuh, Hans Christoph Begemann, Andre Riemer, Tiina Penttinen, Chor der Oper Chemnitz, Robert Schumann Philharmonie, Frank Beermann had its release date on January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Nicolai, O.: Templario (Il) [Opera]". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Il templario, Act I Scene 2: Te Rebecca il cavaliero qual sua schiava (Cedrico, Rebecca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Il templario, Act I Scene 2: Te Rebecca il cavaliero qual sua schiava (Cedrico, Rebecca) by Otto Nicolai, Kouta Rasanen, Stanley Jackson, Judith Kuhn, Andreas Kindschuh, Hans Christoph Begemann, Andre Riemer, Tiina Penttinen, Chor der Oper Chemnitz, Robert Schumann Philharmonie, Frank Beermann having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.431 dB
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 23%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Egmont, complete incidental music, Op. 84: viii. Klärchens Tod: Larghetto (The Death of Clärchen) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | |
 | Ein Heldenleben, Op. 40, TrV. 190: I. Der Held | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | G Major | 1 | 9B | 85 BPM | |
 | Die lustigen Weiber von Windsor, Act I: Ouvertüre | Otto Nicolai, Orchester des Staatstheaters am Gärtnerplatz, Ruben Dubrovsky | D Major | 2 | 10B | 83 BPM | |
 | 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | |
 | Messa di Gloria, Op.posth., Credo: Credo in unum Deum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 1 | 5A | 135 BPM | |
 | Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture | Hector Berlioz, Sir Colin Davis, London Symphony Orchestra | C Major | 2 | 8B | 63 BPM | |
 | Symphony in C Major, GB 115: IV. Allegro vivace | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 137 BPM | |
 | Symphony No. 1 in E major: II. Sehr langsam | Hans Rott, Paavo Järvi | E Major | 1 | 12B | 133 BPM | |
 | Symphony No. 3 in E flat, Op. 97 - "Rhenish": 3. Nicht schnell | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 83 BPM | |
| Dié lustigen Weiber von Windsor, Act III Scene 13: Tanz & Chorus. Er gesteht noch immer nicht (Herr Reich, Chorus) | Otto Nicolai, Orchester des Staatstheaters am Gärtnerplatz, Ruben Dubrovsky, Timos Sirlantzis, Chor des Staatstheaters am Gärtnerplatz, Kinderchor des Staatstheaters am Gärtnerplatz | D Major | 2 | 10B | 83 BPM | |
 | Gounod: Faust, CG 4, Act 5 Scene 2: Ballet Music, 4. Variations de Cléopâtre (Moderato maestoso) | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | B♭ Major | 0 | 6B | 74 BPM | |
 | Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | |
 | Gounod: Messe solennelle de Sainte Cécile: VII. Agnus Dei | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Laurence Dale, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | |
 | Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B♭ Major | 2 | 6B | 95 BPM | |
 | Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | |
 | Reger: Eine Ballett-Suite, Op. 130: V. Valse d'amour. Sostenuto | Max Reger, Joseph Keilberth, Bamberg Symphony | A Major | 1 | 11B | 77 BPM | |
 | Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker, Wiener Singverein, Johannes Prinz | E♭ Major | 2 | 5B | 74 BPM | |
 | Mass in C Major, Op. 86: VI. Agnus Dei | Ludwig van Beethoven, Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles, John Mark Ainsley | C Major | 1 | 8B | 78 BPM | |
 | Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | |
 | Britten: Soirées musicales, Op. 9: I. March | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Major | 2 | 10B | 83 BPM | |
 | Die lustigen Weiber von Windsor, Act I: Duet. Nein, das ist wirklich doch zu keck! (Frau Fluth, Frau Reich, Herr Fluth, Herr Reich, Junker Sparlich, Dr. Cajus) | Otto Nicolai, Franz Hawlata, Dietrich Henschel, Wolfgang Bankl, Jörg Dürmüller, Heinz Zednik, Alfred Sramek, Juliane Banse, Andrea Bonig, Regina Klepper, Hermann Godland, North Rhine Westfalia State Youth Choir, WDR Rundfunkorchester Köln, Helmuth Froschauer | C Major | 2 | 8B | 90 BPM | |
 | Má Vlast, JB1:112: III. Sarka | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | E Minor | 3 | 9A | 104 BPM | |
 | Ouvertüre (Der Freischütz) | Wiener Philharmoniker, Maud Cunitz, Reinhold Siegert, Franz Bierbach, Alfred Poell, Emmy Loose, Hans Hopf, Marjan Rus, Otto Edelmann, Maria Schober, Vienna State Opera Chorus, Karl Dönch, Anny Felbermayer | C Major | 2 | 8B | 107 BPM | |
 | Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | |
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM |
- ISRC
- USB8U1000939
- Label
- L-M Records/RCA Records