"Brel: Ne me quitte pas (Transcr. A. El Bacha)" by Alexandre Tharaud had its release date on October 17, 2025. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Pianosong". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Brel: Ne me quitte pas (Transcr. A. El Bacha)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Brel: Ne me quitte pas (Transcr. A. El Bacha) by Alexandre Tharaud having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Préludes / Book 1, L. 117: X. La cathédrale engloutie | Claude Debussy, Menahem Pressler | E♭ Major | 2 | 5B | 86 BPM | ||
| Valse No. 1 | Florian Pichlbauer | A Minor | 1 | 8A | 72 BPM | ||
| Barbara: Ma plus belle histoire d'amour (Arr. G. de Chassy) | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Erinnerung, Op. 24 | Dora Pejačević, Ivana Gavrić | D♭ Major | 0 | 3B | 64 BPM | ||
| Miscellanea, Op. 16 No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Anna Miernik | F Minor | 2 | 4A | 66 BPM | ||
| Valse lente | Germaine Tailleferre, Pierpaola Porqueddu | A Major | 0 | 11B | 66 BPM | ||
| 3 Melodies, Op. 7: No. 1, Après un rêve (Transc. for Cello by Camille Thomas) | Gabriel Fauré, Camille Thomas, Julien Libeer | E♭ Major | 1 | 5B | 81 BPM | ||
| Piano Trio No. 2 In C Minor, Op. 66: I. Allegro energico e con fuoco | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | C Minor | 2 | 5A | 90 BPM | ||
| Prelude Op.32 No.5 G Major | Valentina Lisitsa | D♭ Major | 3 | 3B | 70 BPM | ||
| Forgotten Melodies I, Op. 38: VI. Canzona serenata | Nikolai Medtner, Alexander Malofeev | F Minor | 0 | 4A | 86 BPM | ||
| Fantasie Nègre No. 1 in E Minor | Florence Beatrice Price, Jeneba Kanneh-Mason | A♭ Minor | 2 | 1A | 112 BPM | ||
| Diagram and Projection: IV. Palette | Alessio Santolini Raggi | F Minor | 2 | 4A | 66 BPM | ||
| Improvisation No. 4 | Gabriela Montero | A♭ Minor | 0 | 1A | 106 BPM | ||
| Andante et Allegro pour violoncelle et piano in E Major: I. Andante | Reynaldo Hahn, Dania Tchalik, Marc Tchalik | F Minor | 2 | 4A | 66 BPM | ||
| Improvisation on "L'hymne à l'amour" by Monnot & Piaf | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| Schubert: Fantasia for Piano Four-Hands in F Minor, Op. Posth. 103, D. 940: I. Allegro molto moderato | Franz Schubert, Bertrand Chamayou, Leif Ove Andsnes | F Minor | 1 | 4A | 105 BPM | ||
| Damascus Gate | Jeroen Malaise | F Minor | 2 | 4A | 66 BPM | ||
| Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| Piano Sonata (No. 2) in C-Sharp Minor, Op. 80: II. Andante | Pyotr Ilyich Tchaikovsky, Daniil Trifonov | D Major | 2 | 10B | 102 BPM | ||
| Dans un Rêve: I. Allegretto | Marie Jaëll, Manon Galy, Heloïse Luzzati, Célia Oneto Bensaid | D♭ Minor | 2 | 12A | 132 BPM | ||
| Souvenir d'un lieu cher, Op. 42: No. 3 Mélodie | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| Pari intervallo (Transc. Osokins for Piano) | Georgijs Osokins, Arvo Pärt | F♯ Minor | 3 | 11A | 125 BPM | ||
| Requiem, Op. 48: VII. In paradisium (Arr. Naoumoff for Piano) | Gabriel Fauré, Lang Lang | D Major | 0 | 10B | 71 BPM |