"Folios: II." by Toru Takemitsu, Masao Tanibe had its release date on November 7, 2022. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Folios: II.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Toru Takemitsu: Guitar Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. In terms of popularity, Folios: II. is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Folios: II. by Toru Takemitsu, Masao Tanibe having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Alternative Theme & Main Theme (From "Hadaka no Shima") [Arr. D. Suzuki for Harmonica & Guitar] | Hikaru Hayashi, Yasuo Watani, Shin-ichi Fukuda | B♭ Major | 2 | 6B | 85 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Atom Hearts Club Suite, No. 1, Op. 70b: II. Andante | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra | C Major | 2 | 8B | 97 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Impromptu-Caprice, Op. 9 | Gabriel Pierné, Ellen Bødtker | A♭ Major | 2 | 4B | 94 BPM | ||
| Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | ||
| Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | C Minor | 1 | 5A | 136 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Luca Sacher | E Minor | 0 | 9A | 140 BPM | ||
| String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | ||
| Cage: All Sides of the Small Stone, for Erik Satie | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
| Very Early | Kronos Quartet, Eddie Gómez | D Minor | 2 | 7A | 85 BPM | ||
| 弦楽オーケストラのための「3つの映画音楽」(武満徹) 「他人の顔」 ワルツ | Toru Takemitsu, 尾高忠明, NHK Symphony Orchestra | F Major | 3 | 7B | 147 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| Romanian Folk Dances, Sz. 68: III. In One Spot (Andante) (Arr. Horsch for Recorder and Cimbalom) | Béla Bartók, Lucie Horsch, Dani Luca | A Minor | 4 | 8A | 121 BPM | ||
| 5 Preludes: No. 4, Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 76 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Price: String Quartet in G Major : II. Andante moderato | Florence Beatrice Price, Delirium Musicum, Étienne Gara | C Major | 3 | 8B | 89 BPM |